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Article: Album Review

Tomasz Stanko: Leosia

by Budd Kopman
January 30, 2015

Recorded in 1996 and released in 1997, Leosia is not only one of the high points of trumpeter Tomasz Stanko's forty-year career, but one of the absolute gems in the ECM catalogue, twenty years removed from his first ECM recording, Balladyna. The album itself is one of those things that just seems perfect from ...

Article: Rediscovery

Piacentini-Bonati-McCandless-Moreno: Circles

by John Kelman
January 27, 2015

Piacentini-Bonati-McCandless-Moreno CirclesNueva1991 Today's Rediscovery will be a challenge for most; few will have heard of the record, and of those that have, even fewer will actually own it. Circles' biggest draw may be Paul McCandless--the reed and woodwind multi-instrumentalist who has, with Ralph Towner and Glen Moore, performed with the genre-busting ...

Article: Multiple Reviews

Martin Speake: The Unquiet Mind

by Duncan Heining
January 21, 2015

We have here three very fine CDs from British alto saxophonist, Martin Speake. Speake is classically trained and when I first heard him in the late 90s, he brought to jazz a tone that emphasised the clarity of each note and the purity of the melodic line that was quite unusual in a music more used ...

Article: Rediscovery

Terje Rypdal: If Mountains Could Sing

by John Kelman
January 9, 2015

Terje RypdalIf Mountains Could Sing ECM Records1995 Today's Rediscovery is If Mountains Could Sing, an album that stands out in Terje Rypdal's career for its marriage of his two seemingly (but clearly not necessarily) divergent paths: one, the rock-edged improvising guitarist; the other, the classical composer of contemporary music first inspired ...

Article: Rediscovery

Masqualero: Masqualero

by John Kelman
January 8, 2015

MasqualeroMasqualeroOdin1983 Despite plenty of evidence to the contrary, there are still those who think that Norwegian musicians can't play “real jazz" (whatever that is), and that what they do play is something consistently (and erroneously) categorized as “Nordic Cool." Submitted for your approval is today's Rediscovery: the self-titled debut from Masqualero, ...

Article: Live Review

Jazztopad 2014, Three World Premieres

by Ian Patterson
November 24, 2014

Jazztopad Wroclaw, Poland November 13-15, 2014 Jazztopad enters its second decade with confident stride. The festival has come a long way in the first ten years, evolving, experimenting and growing as any good festival should. In 2014, Jazztopad stands as an internationally renowned festival with a clearly defined ethos, one that combines ...

Article: Interview

Hanna Paulsberg: Home Grown Concept

by Ian Patterson
October 29, 2014

Norwegian saxophonist Hanna Paulsberg is slowly but surely building a reputation as one of the brightest young jazz musicians to have emerged from Norway in recent years. Her debut at the head of the Hanna Paulsberg Concept, Waltz for Lilli (Ora Fonogram, 2012) introduced a composer/musician with strong melodic and rhythmic sensibilities and made a convincing ...

Article: Film Review

Charles Lloyd: Arrows Into Infinity

by Nenad Georgievski
September 12, 2014

Charles Lloyd Arrows Into Infinity ECM Records 2014 Undoubtedly deserving the title modern day saxophone titan Charles Lloyd has made one of the most important contributions to the art better known as contemporary or modern jazz. Widely recognized as one of the most timeless and significant musicians in the ...

Article: Film Review

Charles Lloyd: Arrows Into Infinity

by John Kelman
August 30, 2014

Charles Lloyd Arrows Into Infinity ECM Records 2014 It's rare to have an opportunity to see a music film in both the theatre and the comfort of your own home, but a serendipitous invite to the 2013 Jazztopad Festival in Wrocław, Poland not only provided the chance to hear saxophonist ...

Article: Album Review

Obara International: Live at Manggha

Read "Live at Manggha" reviewed by Eyal Hareuveni

by Eyal Hareuveni
April 25, 2014

The sophomore release of Polish-Norwegian quartet Obara International, led by rising Polish alto saxophonist Maciej Obara, solidifies his affinity with cool Nordic jazz. The group is not only the powerful rhythm section of resourceful Norwegians--double bassist Ole Morten Vågan and drummer Gard Nilssen. Lush phrasing by Obara himself and emphatic, profound interplay rounded out by the ...