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James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap
by Patricia Myers
Paris Jazz Diary 2015: Pianists Kenny Barron, Harold Mabern, Bill Charlap Duc des Lombards, Sunside-Sunset Jazz Clubs Paris, France July 3, July 4, July 14, 2015 New York City pianists Kenny Barron, Harold Mabern and Bill Charlap led trios in three separate concerts as part of a pair of annual summer-season ...
Jon Batiste: Staying Human
by Bob Kenselaar
Jon Batiste was named the bandleader of The Late Show with Stephen Colbert (related news). This interview was originally published in January 2013. Nearly everything about Jonathan Batiste is steeped in New Orleans--from the way he talks, walks, and claps his hands to the way he plays the piano, composes, and leads his Stay ...
Burt Eckoff: A Pianist's Close Encounters With the Greats of Jazz
by Idelle Nissila-Stone
Active in the New York City jazz scene since the 1960s, pianist Burt Eckoff played with many jazz greats, among them Howard McGhee, Maynard Ferguson, Art Blakey, Sonny Stitt and Archie Shepp. He is known for exceptional artistry in his work with vocalists Dionne Warwick, The Drifters, Eddie Jefferson, and most importantly Dakota Staton, with whom ...
Art Blakey and the Jazz Messengers: Moanin’ – Blue Note 4003
by Marc Davis
Jazz fans will argue forever over the best version of The Jazz Messengers. Was it the group with Wayne Shorter and Lee Morgan that made A Night in Tunisia in 1960? The 1954 edition with Horace Silver, Clifford Brown and Lou Donaldson that made A Night at Birdland? (Which isn't technically a Jazz Messengers album, but ...
Curtis Fuller: The Opener – Blue Note 1567
by Marc Davis
From the very first notes, it's obvious that Curtis Fuller's The Opener is something completely different. Yes, it's bop. Yes, it features the usual lineup of two horns, piano, bass and drums. And yes, one of those horns is saxman Hank Mobley, who, by law, was required to appear on every single Blue Note ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
Kenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524
by Marc Davis
I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but ...
Diane Monroe Quartet at Pennsylvania Academy of Fine Arts
by Victor L. Schermer
Diane Monroe Quartet Pennsylvania Academy of Fine Arts “Spiritual Strivings" Exhibition and Concert Philadelphia, PA August 2, 2014 In the tradition of the Paris salons, art and music go together, and some of the best jazz in the Philadelphia area today can be heard at art museums, taking up ...
Freihofer's Saratoga Jazz Festival 2014
by R.J. DeLuke
Saratoga Performing Arts Center Freihofer's Saratoga Jazz Festival Saratoga Springs, NY June 28-29, 2014 Perfect weather accented this years Freihofer's Saratoga Jazz Festival, an event that had an eclectic mix of young musicians with interesting ideas and approaches, and veterans who deliver consistently. The weather is always a factor ...
