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Adrienne Fenemor: Mo' Puddin'
by Edward Blanco
Vocalist, Hammond B 3 specialist and educator, Adrienne Fenemor unveils a tasteful musical treat with the dynamic Mo' Puddin' presenting an explosive session of organ-based music offering a selection of six originals and three standards full of swing and swagger. A New York-based performer and educator since moving to the USA in 2008, Fenemor was born ...
Valery Ponomarev Jazz Big Band: Our Father Who Art Blakey
by Jack Bowers
Who is Russian-born trumpeter Valery Ponomarev's favorite musician? A clue may be found in the title of Ponomarev's first CD as leader of his New York City-based big band: Our Father Who Art Blakey. The first jazz recording he heard while still in Russia, Ponomarev recalls, was Blakey's Jazz Messengers with trumpeter Lee Morgan playing pianist ...
Timmons/Patterson: Holiday Soul
Each year, for the past eight years, I've chosen a jazz or pop album for induction into my JazzWax Vintage Holiday Album Hall of Fame. To qualify, the album has to be a sleeper of sorts, usually from the 1950s or '60s. It also has to swing. This year, I'm welcoming two albums with the same ...
Dan Wilensky: Made In Portland
by Dan Bilawsky
Relocating is never easy, but it would seem that multi-reedist Dan Wilensky has acclimated quite well to the musical climate of Portland, Oregon since arriving there in 2012. The latest release from this man-of-many-talents puts him in close quarters with a collection of that city's finest musicians, a crew that's ready and eager to tackle Wilensky's ...
Benny Golson and the Philadelphians - 1958
by Marc Davis
I have hundreds of jazz CDs. I'm a huge fan of bebop, hard bop and all manner of piano playing. Yet I have blind spots in my collection and in my jazz knowledge. The big names are all accounted for. And now that I've been exploring Blue Note's back catalogue--especially the 1950s and '60s--I'm ...
Thomas Fonnesbaek: Where We Belong
by Chris Mosey
Aficionados increasingly see Danish bassist Thomas Fonnesbaek as a successor to the late, great Nils-Henning Orsted Pedersen. He is heard here as part of a trio featuring Swedish pianist Lars Jansson, the format that established his reputation. The album consists primarily of Fonnesbaek's own compositions and others put together on the spot with ...
Sands Fonnesbæk Riel: Take One
by Chris Mosey
In October 2014 pianist Christian Sands, a protégé of Billy Taylor, known mainly for with his work with bassist Christian McBride's trio, played two nights to remember at Copenhagen's legendary jazz club Montmartre. The highlights are captured on this Storyville double album. Sands plays with (rather than is accompanied by) phenomenal local bassist ...
James Clay: Texas Tenor, Second Generation
by David Perrine
The term “Texas tenor" was originally coined to describe the sound and style of such swing era players as Herschel Evans, Illinois Jacquet, Buddy Tate, Budd Johnson, Arnett Cobb and others, and has subsequently been applied to second generation players from Texas that included James Clay, David “Fathead" Newman and Marchel Ivery. What these players had ...
Paris Jazz Diary: Pianists Kenny Barron, Harold Mabern, Bill Charlap
by Patricia Myers
Paris Jazz Diary 2015: Pianists Kenny Barron, Harold Mabern, Bill Charlap Duc des Lombards, Sunside-Sunset Jazz Clubs Paris, France July 3, July 4, July 14, 2015 New York City pianists Kenny Barron, Harold Mabern and Bill Charlap led trios in three separate concerts as part of a pair of annual summer-season ...
Jon Batiste: Staying Human
by Bob Kenselaar
Jon Batiste was named the bandleader of The Late Show with Stephen Colbert (related news). This interview was originally published in January 2013. Nearly everything about Jonathan Batiste is steeped in New Orleans--from the way he talks, walks, and claps his hands to the way he plays the piano, composes, and leads his Stay ...
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