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8

Article: Interview

A Conversation with Jackie McLean

Read "A Conversation with Jackie McLean" reviewed by AAJ Staff


From the 1995-2003 archive: This article first appeared at All About Jazz in October 1998. All About Jazz: You grew up in the same neighborhood as Bud Powell. How did he impact your life? And, what was Bud Powell the man like? Jackie McLean: He certainly lived in the vicinity of my ...

20

Article: Album Review

George Cables: Too Close for Comfort

Read "Too Close for Comfort" reviewed by Jack Bowers


Maestro George Cables returns to the trio format on Too Close for Comfort, the twenty-first recording as leader of own groups. That means listeners are able to hear even more of his deft and delightful piano, always a welcome bonus. Cables is admirably supported throughout by bassist Essiet Essiet and drummer Victor Lewis. ...

2

News: Recording

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...

News: Video / DVD

New Hard-Bop Videos

New Hard-Bop Videos

Hard bop emerged in the early 1950s when a new generation of New York jazz musicians began combining original compositions with funky rhythms, a stronger, sophisticated beat and tightly arranged horns influenced by the rise of R&B. As the decade evolved, the hard-bop sound smoothed out, placing an emphasis on collective harmony and the driving force ...

20

Article: Album Review

Roberto Miranda's Home Music Ensemble: Live at the Bing Theater; Los Angeles, 1985

Read "Live at the Bing Theater; Los Angeles, 1985" reviewed by Karl Ackermann


Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at ...

Article: Album Review

Joe Chambers: Samba De Maracatu

Read "Samba De Maracatu" reviewed by Angelo Leonardi


Batterista leggendario, compartecipe di grandi pagine del bop avanzato degli anni sessanta settanta, con Wayne Shorter, Andrew Hill, Bobby Hutcherson, Joe Henderson e decine di altri, il batterista Joe Chambers torna in casa Blue Note dopo un'assenza più che ventennale. Nella storica etichetta fondata da Alfred Lion, Chambers era soprattutto un sideman e ...

9

Article: Album Review

Joe Chambers: Samba De Maracatu

Read "Samba De Maracatu" reviewed by Chris May


Drummer Joe Chambers was unusual among the drummers who emerged on the Blue Note label in the mid 1960s in that not only did he generate a powerful beat, he wrote strong tunes, too. He played on, and often composed pieces for, albums by such Blue Note luminaries as saxophonists Wayne Shorter and Joe Henderson, vibraphonist ...

7

Article: Live Review

Tessa Souter Trio at Soapbox Gallery

Read "Tessa Souter Trio at Soapbox Gallery" reviewed by Victor L. Schermer


Tessa Souter Trio Soapbox Gallery Brooklyn, NY January 26, 2021 During the pandemic, live streaming on line is the closest thing we can get to a live concert or club date, Many of the streamed jazz shows are well done despite the unusual situation with masks, social distance, ...

News: Birthday

Jazz Musician of the Day: Bobby Hutcherson

Jazz Musician of the Day: Bobby Hutcherson

All About Jazz is celebrating Bobby Hutcherson's birthday today! NEA jazz master Bobby Hutcherson is the most accomplished vibraphonist of his generation. He is a master of melodic, harmonic and rhythmic improvisation on both the vibes and the marimba. He has performed or recorded with nearly every major living jazz musician. Born in Los Angeles in ...

6

Article: Interview

Billy Childs: L.A. Contentment

Read "Billy Childs: L.A. Contentment" reviewed by R.J. DeLuke


Billy Childs says taking formal piano lessons as a young child “didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play “ Cantaloupe ...


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