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Gonzalo Rubalcaba: Solo
by Mark Corroto
The metamorphosis of Cuban pianist Gonzalo Rubalcaba has taken a gifted player from a fiery caterwauler to a nimble, introspective musician. His early recordings were fueled by youthful enthusiasm and the encouragement of the likes of Dizzy Gillespie, Charlie Haden and Jack DeJohnette. Like his musical compatriot, the French phenom Jackie Terrasson, he has talent on ...
Gonzalo Rubalcaba: Solo
by Jim Santella
This solo piano album from Gonzalo Rubalcaba finds the artist searching. With themes from Afro-Cuban culture running through his performance, he improvises soulfully and at his own pace. As one of the jazz world's most exciting pianists, he's able to sit down, take his time, and let the ideas flow gently. Each piece represents a passionate ...
Robert Glasper: Canvas
by Abe Pollack
Many young jazz musicians are no strangers to pop music. More familiar with Radiohead's Kid A and Public Enemy than Jerome Kern or Cole Porter, they have become increasingly more adventurous in an attempt to make jazz a commodity for the 21st Century. Unlike glossy pop covers from the '80s, Robert Glasper uses subtlety to explore ...
The Wood Brothers: Ways Not to Lose
by Doug Collette
As the bassist in Medeski, Martin & Wood, Chris Wood is the group's secret weapon. Until this collaboration with his brother Oliver, where the siblings rediscovered their fascination with blues and folk music after a series of dates under the proverbial radar last year, he hadn't the visibility of his peers, based on collaborations with Warren ...
Jimmy Smith: Music for Lovers
by Norman Weinstein
This Music for Lovers compilation is probably the most restrained Jimmy Smith collection ever compiled, and it allows a rarely presented side of Smith's work from 1957-1960 to be spotlit. It's also an ideal showcase for Smith as delicately tasteful accompanist. An apt comparison would be to Oscar Peterson during the '50s. All ...
Andrew Hill: Time Lines
by Jim Santella
Pianist Andrew Hill gives his audience something different. He's not concerned so much with a comfortable rhythmic groove or spot-on ensemble tone quality as he is with the spontaneity and free will of jazz. He and the members of his quintet stretch out for creative soloing and combine cohesively for an interesting affair on Time Lines. ...
Andrew Hill: Time Lines
by John Kelman
Sadly, art is often not recognized until the artist is gone. That certainly appeared like it was going to be the fate for pianist Andrew Hill. Despite releasing a spate of innovative records for Blue Note in the 1960s, he seemed perennially overshadowed by the artists he worked with, including vibraphonist Bobby Hutcherson and saxophonist Joe ...
Joe Lovano: I'm All for You
by Samuel Chell
No instrument is more synonymous with jazz than the tenor saxophone, due equally to the expressive capabilities of the horn and the legacy of great players who have been attracted to it. On the evidence of Down Beat readers' and critics' polls over the past decade, Joe Lovano would appear to be the favorite among contenders ...
Andrew Hill: Time Lines
by Mark F. Turner
Andrew Hill Time Lines Blue Note 2006 You would think that after playing for more than half a century, performing with greats like Miles Davis and Charlie Parker, leading and producing acclaimed recordings with names of Eric Dolphy, Lee Morgan, and many others, that pianist/composer Andrew Hill--who is nearly seventy ...
Andrew Hill: Time Lines
by Chris May
At the venerable age of 68, Andrew Hill has made an album which is as lithe, fearless, exhilarating, luminous, exploratory, at-the-barricades and immortal as anything he's ever recorded, including his signature 1964 masterpiece, Point Of Departure. It's an extraordinary achievement. It's hard to think of more than half a dozen artists over 65 who've defied chronology ...


