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Joe Lovano Us Five: Folk Art
by Troy Collins
Folk Art is saxophonist Joe Lovano's 22nd album as a leader for the esteemed Blue Note label, and surprisingly, his first of all original compositions. Folk Art is unusual not only in its choice of material, but in personnel as well. Pianist James Weidman is the only veteran, rising bass star Esperanza Spalding and percussionists Otis ...
China Moses & Raphael Lemonnier: This One's For Dinah
by Chris Mosey
Once upon a time, the Queen of the Blues was visited in her dressing room backstage by a woman and her baby daughter. The Queen of the Blues picked up the baby, looked at her and said, “She's gonna be a singer. She's definitely gonna be a singer." The prediction came true. The Queen was Dinah ...
Hank Mobley: Hank Mobley (On Wax)
by Matt Marshall
Hank Mobley Hank Mobley Blue Note / Music Matters 2009 (1958) Since round about fall 2007, Music Matters has been in the business of releasing classic Blue Note records from the 1950s and 1960s, many currently unavailable on CD, on 180-gram vinyl pressings made at 45-rpm (necessitating a ...
Cassandra Wilson: Closer To You: The Pop Side
by Mark F. Turner
One of the eminent jazz singers of this time, Cassandra Wilson's deep timbre is as unmistakable as it is alluring. Her acumen as a musician, her voice an exquisite instrument and the way she interprets and arranges songs--uniquely filled with soul and emotion--would set her in the upper echelon of singers regardless of genre. From roots ...
Grant Green: Street Of Dreams
by Chris May
Grant Green (1931-79) is probably the most sampled guitarist of his generation, and is rightly regarded as a godfather of acid jazz. His debut, Grant's First Stand (Blue Note, 1961)--heavy on the good foot groove--was made with soul jazz organist Baby Face Willette, and by 1965, when Green recorded an album for Verve, the label was ...
The Blue Note 7: Mosaic
by Marcia Hillman
Celebrating the 70th/25th anniversaries of Blue Note Records (70 years since its founding and 25 years since its re-launch), The Blue Note 7 makes its debut with a resounding impact. Pianist Bill Charlap, trumpeter Nicholas Payton, tenor saxophonist Ravi Coltrane, alto saxophonist Steve Wilson, guitarist Peter Bernstein, bassist Peter Washington and drummer Lewis Nash perform eight ...
Wynton Marsalis: He and She
by Mark F. Turner
The expansive discography of Wynton Marsalis has covered a wealth of material including the fierce modern mainstream of Black Codes: From the Underground (Columbia, 1985), the three CD-set Blood On the Fields (Columbia, 1995) which won a Pulitzer award in 1997, and some bar-room fun in Two Men With the Blues (Blue Note, 2008) with singer ...
Stanley Turrentine: Look Out!
by Andrew Velez
This 1960 set is from a period which many consider to have been Stanley Turrentine's most creative. The saxophonist, who would have been 75 this month (March), was just coming out of an extended run with Max Roach's notably up-tempo orchestra. Backed here by a then-emerging powerhouse of sidemen, the set kicks off with the title ...
Horace Silver: Finger Poppin'
by Samuel Chell
Finger Poppin' (1959) followed Silver's most under-appreciated (and perhaps most ambitious) Blue Note date, Further Explorations (1958). The cast is different (though the fiery Louis Hayes remains on drums), but the compositions and arrangements by Silver are no less artful and the soloists as inspired as the frontline of Art Farmer and Clifford Jordan from the ...
Art Farmer: Brass Shout / The Aztec Suite
by Chris M. Slawecki
Brass Shout / The Aztec Suite combines two Art Farmer releases: Brass Shout, arranged by his longtime associate, Benny Golson, and The Aztec Suite, including its famous panoramic title track, arranged by Chico O'Farrill. Combining these two titles, both from 1959, creates an expansive survey of jazz, Latin jazz, and pop played as jazz. ...
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