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Jimmy Smith: Master of the Hammond B-3
by Mark Sabbatini
Jimmy Smith ignited a jazz revolution on an instrument associated at the time with ballparks, despite never playing one until the age of 28. His legendary multi-part technique on the Hammond B-3 organ, playing bass with the foot pedals and Charlie Parker-like single-line passages with his right hand, shook up the traditional trio as ...
We Three Kings: The Heath Brothers
by AAJ Staff
This article was originally published at All About Jazz in 2002. Bundle these three brothers' experiences and associations through their individual and collective careers, and anyone with even the slightest notion of jazz appreciation will indubitably realize the significance of the Heath triumvirate--bassist Percy, saxophonist Jimmy, and drummer Albert “Tootie." What an ...
Bill Mobley, Andrew Beals, Jeff Pittson, Mark Hagan, Jimmy Madison At The Old '76 House
by David A. Orthmann
Bill Mobley, Andrew Beals, Jeff Pittson, Mark Hagan, Jimmy Madison The Old 76 House Mark Hagan's Jazz Salon Tappan, NY January 21, 2015 Jimmy Madison, the first of the band to arrive, wheeled his cymbal case in on a portable carrier and surveyed the array of drums, cymbals and ...
Horace Silver Quintet: June 1977 (livelove Series Vol 2)
by Mark Sullivan
When the Horace Silver Quintet took the stage in Bremen in June, 1977, Silver was nearing the end of his long association with Blue Note Records. Much of the band's book was drawn from recent albums: the title tune from In Pursuit of the 27th Man (Blue Note, 1973), and two each from Silver 'N Brass ...
The Nash Second Anniversary in Phoenix
by Patricia Myers
The Nash Second Anniversary The Nash/Private Home Phoenix/Scottsdale, Arizona October 31, November 1-2, 2014 There's something about the way Lewis Nash plays drums. No, there's everything about the way he plays drums--selectively, tastefully, underplaying vs. bombastic; in a word, elegantly. Nash's classy combination of swing and sophistication was abundantly evident during ...
Steve Heckman Quintet: Search for Peace
by Dan Bilawsky
Saxophonist Steve Heckman's Search For Peace serves as something of a companion piece to his previous album--Born To Be Blue (Jazzed Media, 2013). Both albums feature the same band, present (mostly) familiar material, and walk pleasingly straightforward paths. So what's different? Well, for starters, Matt Clark played piano on Heckman's last date, but he's taken to ...
Steve Heckman Quintet: Search for Peace
by C. Michael Bailey
Steve Heckman is a meat 'n potatoes saxophonist whose previous recording, Born to be Blue (Jazzed Media, 2013) was a trip through the heart of the jazz mainstream, circa 1960 (with better sonics). Heckman follows Born to be Blue with a right turn into hard bop atop of an organ-guitar quartet. For the ...
Steve Heckman Quintet: Search for Peace
by Jack Bowers
Steve Heckman says he was inspired to play the tenor saxophone after hearing John Coltrane, especially Coltrane's A Love Supreme. Luckily, Heckman did not follow his mentor completely off the deep end but remained instead true to his bop-bred roots while developing a singular voice of his own on the tenor. On Search for Peace (a ...
Steve Heckman Quintet: Search for Peace
by Dan McClenaghan
Saxophonist Steve Heckman has been dishing up rock solid mainstream jazz in the quartet and quintet settings since 2003's For John (World City Music), a tribute disc to the legendary saxophonist John Coltrane. That debut and his two subsequent offerings, Live at Yoshi's (World City Music, 2005) and Born to Be Blue (Jazzed Media, 2013), held ...
Everything Old is Blue Again: Hank Mobley, McCoy Tyner, Grant Green and Horace Silver
by C. Andrew Hovan
If you are a Blue Note fan, you undoubtedly know that over the course of their 75th anniversary year Blue Note has been reissuing important titles from the catalog at a rate of about five albums per month. It is really a fast-paced program that will appeal to folks on many levels. Some might be starting ...
