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Results for "Bix Beiderbecke"
Live From The Jazz Corner in Hilton Head Island - Roundup
by Martin McFie
Joe Gransden & Kenny Banks The Jazz Corner Hilton Head Island, SCFebruary 2, 2018 Joe Gransden returned to The Jazz Corner on Hilton Head-Jazz Island February second and third, accompanied by pianist/composer Kenny Banks. Gransden is well-known on the island for his sixteen-piece big band performances, but there was a special ...
Frank Woeste: Reversing Ravel
by Ludovico Granvassu
Maurice Ravel is not only one of the great authors of 20th century classical music, but one of a handful of classical composers to have demonstrated an interest in jazz. During his tour of the United States in 1928, Ravel went to the Savoy Ballroom in Harlem, or Connie's Inn and the nearby Cotton Club, to ...
Hugh Masekela: Strength in Music and Character
by R.J. DeLuke
This article was first published at All About Jazz in May 2009. “I think it is incumbent, not just on every artist, but every person who has as their source communities that are disadvantaged, to give back," says Hugh Masekela, antiapartheid champion, friend of the downtrodden and musician extraordinaire who is still going strong ...
Nate Birkey: Rome
by Victor L. Schermer
With this listenable and relaxed album, trumpeter Nate Birkey joins with four excellent musicians he hooked up with while playing in Italy to deliver a set of mostly ballads in his signature style with introspective improvising, empathic warmth, and minimal vibrato. His playing here is reminiscent of Bix Beiderbecke, one of Chet Baker's formative influences. The ...
Anat Cohen Tentet: Happy Song
by Geno Thackara
In his fascinating autobiography, Miles Davis once said that Gil Evans would call him on the phone now and then just to share a quick thought--you know, the kind of thing some people used to do before these random impulses were relegated to texts or Tweets. His classic example was a 3AM call where his longtime ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Preserving the Cradle of Jazz: The New Orleans Jazz Museum
by Karl Ackermann
The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...
Wild Bill Davison: The Danish Sessions
by Chris Mosey
Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...
"Georgia On My Mind" by Hoagy Carmichael
by Tish Oney
Great American Songbook composer, Hoagy Carmichael, (1899-1981) penned many more standards besides the timeless “Stardust" and “Georgia On My Mind..." He also is credited with writing “The Nearness of You," “Heart and Soul," “Skylark," and “I Get Along Without You Very Well," to mention a few more classics. Carmichael starred in a couple of films as ...
Trumpet Miming in Film: Mostly Jive
by S.G Provizer
No surprise that filmmakers want to feature trumpet players in their films. After all, we are a complicated, sometimes volatile and, ahem, sexy cohort. I've written here about the odd character-illogical bent that movies show toward the species, but in this post, I'll restrict myself to analyzing how well filmmakers pull off the act of shooting ...
