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5

Article: Extended Analysis

Tommy Flanagan / Jaki Byard: The Magic Of 2

Read "Tommy Flanagan / Jaki Byard: The Magic Of 2" reviewed by Dan Bilawsky


San Francisco's famed Keystone Korner shuttered its doors in 1983, but it's getting more press today than plenty of clubs that are still serving up jazz. In the past two years alone, a previously unreleased live recording of trumpeter Freddie Hubbard--Pinnacle (Resonance, 2011)--launched Resonance Records' Keystone Korner Live Discoveries series, photographer Kathy Sloane released Keystone Korner: ...

5

Article: Album Review

Tommy Flanagan / Jaki Byard: The Magic of 2

Read "The Magic of 2" reviewed by Dan McClenaghan


One of San Francisco's most famous jazz venues, Keystone Korner, closed in 1983. It was a favorite venue of the top jazz players of the day, and several landmark live albums by pianists Bill Evans and McCoy Tyner, and saxophonists Rahsaan Roland Kirk and Stan Getz, resulted from shows taped inside its hallowed hall.The ...

7

Article: Album Review

Charles Lloyd / Jason Moran: Hagar's Song

Read "Hagar's Song" reviewed by Ian Patterson


Saxophonist/composer Charles Lloyd's 16 albums for ECM since the late 1980s represent a body of work as important as the influential recordings he made for Columbia and Atlantic in the 1960s. Lloyd's recordings with his latest quartet, Rabo de Nube (2008), Mirror (2010), Athen's Concert (2011) and, now, Hagar's Song, stand together as a special chapter ...

5

Article: Extended Analysis

Tommy Flanagan / Jaki Byard: The Magic of 2

Read "Tommy Flanagan / Jaki Byard: The Magic of  2" reviewed by C. Michael Bailey


The story of this previously unreleased performance by pianists Tommy Flanagan and Jaki Byard at San Francisco's famous Keystone Korner begins with its unusual distributing label, Resonance Records. The original brainchild of studio owner George Kalbin, the label exists as part of the larger endeavor, the non-profit Rising Jazz Stars Foundation, dedicated to the discovery and ...

10

Article: Big Band Report

"Lone Wolf" Finds Plenty to Chew On

Read ""Lone Wolf" Finds Plenty to Chew On" reviewed by Jack Bowers


With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...

8

Article: Extended Analysis

Charles Lloyd / Jason Moran: Hagar's Song

Read "Charles Lloyd / Jason Moran: Hagar's Song" reviewed by John Kelman


Looking back at Charles Lloyd's sizable discography as a leader, what's becomes immediately clear is that the saxophonist has shared a number of special, long-term musical relationships with pianists: first, Keith Jarrett, in the quartet that brought Lloyd considerable fame and commercial success in the 1960s; and then Bobo Stenson, when he returned from nearly two ...

1

Article: Album Review

Steve Slagle: Evensong

Read "Evensong" reviewed by Dan Bilawsky


Saxophonist Steve Slagle is a consummate leader often pegged as a sideman; with a résumé that includes stints with big band legends like Woody Herman and Lionel Hampton, left-of-center trailblazers like pianist Carla Bley, Latin giants like Ray Barretto and modern day marvels like tenor saxophonist Joe Lovano, it's easy to see why some people may ...

8

Article: Album Review

Mark Lockheart: Ellington in Anticipation

Read "Ellington  in Anticipation" reviewed by John Kelman


Ellington in Anticipation isn't Mark Lockheart's first album to employ an expanded lineup; the Polar Bear/Blue Touch Paper saxophonist collaborated with Germany's WDR Big Band on 2010's Days Like These (Fuzzy Moon) and first cut his teeth in Loose Tubes, the now-legendary large UK collective of then-up-and-comers that included pianist Django Bates, saxophonist Iain Ballamy and ...

13

Article: Big Band Report

Buddy Rich: In a Zone of His Own

Read "Buddy Rich: In a Zone of His Own" reviewed by Jack Bowers


One of the channels that came with my Dish Network package is Classic Arts Showcase, which is a treasure trove of film clips documenting classical, ballet, folk, pop and other forms of music that one is unlikely to see anywhere else (although some footage is presumably available on YouTube, which more and more seems to encompass ...

6

Article: Extended Analysis

Mark Masters Ensemble: Ellington Saxophone Encounters

Read "Mark Masters Ensemble: Ellington Saxophone Encounters" reviewed by Greg Simmons


It could be argued that the core of bandleader Duke Ellington's wonderful textural sound was the way he harmonized his reed section, with great woody chords and lush polyphonic melodies. That reed section, with the great Johnny Hodges leading on alto, stalwarts like Paul Gonsalves on tenor and Harry Carney on baritone, as well as shorter-term ...


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