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Bob Sheppard: The Fine Line
by Roger Farbey
Ironically, probably the only reason that Bob Sheppard isn't a household name (other than in jazz households) is because he's such an in-demand sideman. Splitting his time between Los Angeles, and New York he also teaches jazz at The University of Southern California Thornton School of Music. But he's worked, amongst many others, with such jazz ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Alejandro Coello: Percussion Theory
by Dan Bilawsky
The music of Spanish percussion master Alejandro Coello doesn't slot easily into any categorical opening, and it's likely he prefers it that way. A sharp-minded individualist, he creates compelling works that nod toward contemporary percussion ensemble aesthetics, modern classicism and chamber jazz all at once. Utilizing his own instrumental gifts along with those of ...
Take Five with Donna Singer
by AAJ Staff
About Donna Singer Raised in the lush Catskills, Donna Singer graduated from the New York Academy of Theatrical Arts, then studied at The Juilliard School. Her far reaching career includes European concerts in Paris, Switzerland, Ireland, Italy and Wales. She has performed at the Metropolitan Opera Guild Recital Hall in Lincoln Center, Central Park's ...
Pittsburgh Celebrates the Guitar with "Four on Six" at Alphabet City
by Mackenzie Horne
For countless bluesmen, rockers, and bossa players, the guitar is the path to jazz; that trail was blazed as early as the 1920s by practitioners such as Eddie Durham, Eddie Lang, Django Reinhardt, and Charlie Christian. For Pittsburgh guitarist Mark Strickland, it was Kenny Burrell's Midnight Blue (Blue Note, 1963) that first sparked his interest in ...
Peter Madsen's Storytellers: Curiouser and Curiouser
by Troy Dostert
After devoting a number of his recordings on the Playscape label to the songbooks of Thelonious Monk (Sphere Essence: Another Side of Monk, 2003), Billy Strayhorn (Satin Doll, 2017) and even Elvis Presley (Elvis Never Left the Building, 2014), pianist Peter Madsen has since sought out literary texts for inspiration. 2018 was a particularly fruitful year, ...
My Brainwaves in His Head, and His in Mine - Duke Ellington & Billy Strayhorn (1941 - 1967)
by Russell Perry
Duke Ellington was the well-spring that flowed through many decades of jazz. In 1938, Ellington found his soul-mate in composer/arranger Billy Strayhorn. By the early 1940s, Strayhorn combined with bassist Jimmy Blanton and tenor saxophonist Ben Webster to reinvigorate both Ellington and his band. In this hour, we will feature the compositions and arrangements of Ellington's ...
Odean Pope "Harp" Quartet at Chris’ Jazz Café
by Victor L. Schermer
Odean Pope Quartet: Harp, Violin, and Two Saxophones Chris' Jazz Café Philadelphia, PA April 27, 2019 Time honored saxophonist Odean Pope has always been creative with fresh musical ideas. Who knew that this time he would field an unusual ensemble of harp, violin, and two saxophones without ...
Bill Frisell, Thomas Morgan: Epistrophy
by Mario Calvitti
Il ritorno di Bill Frisell nel 2017 in casa ECM come titolare, anche se in coabitazione col contrabbassista Thomas Morgan, era stato accolto con entusiasmo, e il loro disco Small Town, registrato dal vivo al Village Vanguard di New York, unanimemente considerato uno dei migliori album dell'anno. Viene pubblicato ora, preannunciato dallo stesso chitarrista nel corso ...
John Coltrane: Coltrane '58: The Prestige Recordings
by Mike Jurkovic
Sure these 37 tracks, predominantly standards, blues, and ballads have been released before on such earlier, pre-iconoclast recordings as Black Pearls, Soultrane, Bahia, and Setting The Pace, (Prestige, 1958) but never as chronologically curated as they are presented here on Coltrane '58: The Prestige Recordings. Certainly an argument can be made that they may ...
