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Bob Wijnen: NYC Unforeseen
by Dan Bilawsky
The first minute of Dutch pianist Bob Wijnen's debut album is very telling, but not because of what he does. Rather, it's what Wijnen doesn't do that sets these opening moments apart: Instead of announcing his arrival by hitting on all cylinders and showcasing himself, he hands this prime piece of real estate to drummer Billy ...
Buenos Aires Jazz.15 International Festival
by Mark Holston
Buenos Aires Jazz.15 International Festival Buenos Aires, Argentina November 10-15, 2015 Imagine opening the pages of a major daily newspaper, turning to the Op-Ed section and seeing, prominently placed amidst the usual commentaries on politics and international crises, a tome to the recently deceased jazz singer and composer Mark Murphy. Sound like ...
Sheila Jordan & Steve Kuhn Trio at Birdland
by Tyran Grillo
Sheila Jordan & Steve Kuhn Trio Birdland New York, New York April 3, 2015 Sheila Jordan is a natural. Still going strong at 86, she does more than sing with her voice. She plays it like an instrument. Like any great jazz improviser, she bends notes to their expressive potential, traveling ...
Jack DeJohnette: Painting With Sticks
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]The name Jack DeJohnette is synonymous with modern jazz drumming. Many know him for his years spent with the Keith Jarrett Trio, but he first came to prominence with Charles Lloyd and Miles Davis in the '60s. He's always in demand as ...
David Chesky Releases "Jazz in the New Harmonic" (Chesky Records)
David Chesky’s Jazz in the New Harmonic (Chesky Records) puts the acclaimed pianist and composer’s own personal twist on bridging the disparate worlds of jazz and classical. The music has its roots in Third Stream, the hybrid term coined in 1957 by Gunther Schuller to identify a new emerging musical sensibility that was essentially a confluence ...
Jim Snidero: A Tale Of Taste
by Dan Bilawsky
What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...
Ralph Bowen: The Power Play
by Diana Kondrashin
[Editor's Note: A shorter version of this interview was originally published at Jazz.Ru. It has been translated and expanded exclusively for All About Jazz.]Ralph Bowen was born in Canada but he has pursued a jazz career in the United States for over 20 years, as tenor saxophonist, composer and arranger. He strikes neatly with ...
Tessa Souter: Beyond The Blue
by Victor L. Schermer
Vocalist Tessa Souter is deservedly becoming treasured among jazz fans and musicians alike. She combines the sonority, vocal range and discipline of a classical lieder soprano with subtle and sultry jazz inflections. Everything she sings is meaningful, well thought out and in good taste. She works with the best instrumentalists and has a consummate grasp of ...
Tessa Souter: Beyond The Blue
by Dan Bilawsky
The mere mention of jazz-classical hybridization may draw scowls from jazz fans who've encountered more than their fare share of ill-conceived projects that trade in on this idea, but vocalist Tessa Souter avoids all the usual pitfalls. Beyond The Blue isn't about joining these worlds at the hip; it's about using the frameworks and melodies of ...
