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William Parker: Embracing The Unknown
by Luke Seabright
His is one of the most distinctive and respected voices on double bass today. William Parker, the tireless composer, multi-instrumentalist, educator and poet, is still today omnipresent on the contemporary free jazz scene. What's more, he has been consistently for the last four decades. The William Parker Sessionography: A Work in Progress by Rick Lopez clocks ...
Barry Altschul: The 3Dom Factor: Live in Krakow
by John Sharpe
Barry Altschul's 3Dom Factor closed out the 2016 Krakow Jazz Autumn in fine style with this set. Recorded at the fabled Alchemia Club in the city's Jewish ghetto, the drummer leads his tightly knit combo through four originals and a Monk cover. It's a familiar program, as three of the pieces have been in Altschul's band ...
Matthew Shipp Trio at SFJAZZ
by Harry S. Pariser
Matt Shipp Trio SFJAZZ San Francisco, CA December 8, 2017 In this era, one where many of most popular musicians in the musical genre classified as “jazz" double as pop musicians, Matthew Shipp stands out. True to his craft since he moved to New York City in 1984, the 57-year-old ...
15 Italian Jazz Musicians You Need To Know About
by AAJ Staff
It is not unusual for colleagues and promoters from across Europe and the United States to ask me: “Which Italian jazz musicians should I check out?" For decades, Italy has enjoyed an increasingly prominent place in the vast landscape of European Jazz. The names of some of its most famous players, like trumpeters Enrico ...
The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Abbey Rader's West Coast Quartet: First Gathering
by John Sharpe
Veteran drummer Abbey Rader's foray to California adds a further chapter to the welcome renaissance of reedman Peter Kuhn. Both men were part of the New York loft jazz scene in the 1970s, but while Kuhn eventually dropped from view in the early '80s, Rader persisted, first moving to Europe, but later returning to Florida where ...
Abbey Rader Quartet with Kidd Jordan: Reunion
by John Sharpe
Drummer Abbey Rader first encountered celebrated reedman Kidd Jordan when he was touring with Billy Bang and Frank Lowe back in 2000, as a member of the outfit featured on One For Jazz (No More Records, 2001). Jordan sat in, and the ensuing mix was successful enough for Rader to intend a follow up. That didn't ...
The Politics of Dancing: Jazz and Protest, Part 1
by Karl Ackermann
In 1964, Civil Rights workers, known as Freedom Riders, were increasingly becoming the victims of violent attacks from the Ku Klux Klan as they initiated a program to register black voters in the Deep South. As members of the Student Non-Violent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE), the advocates were franticly racing ...
Matthew Shipp: Let's Do Lunch!
by Yuko Otomo
When Matthew Shipp asked me to design the cover art for his Points album (Silkheart Records, 1992), I showed him works from the on-going drawing study I was engaged in. He picked one graphite drawing and said, “Wow! This is exactly what's happening inside my mind when I play the piano!" Here, we talk ...
Abbey Rader & Kidd Jordan Release First Album Together - "Reunion"
In a busy summer, Abbey Rader has released his second recording in as many months. Reunion is a collaboration with saxophonist Kidd Jordan. The album is their first together. It follows the June release of It's Time, a duet session with Abbey and longtime collaborator Peter Ponzol. The chain of events that led to Reunion can ...
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