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Stan Kenton and His Orchestra: Concert on the Pacific
by Jack Bowers
The Stan Kenton Orchestra's Concert on the Pacific is actually a compendium of several concerts recorded between January and March 1958 at the Rendezvous Ballroom in Balboa, California—a series that almost emptied Kenton's wallet and caused him to pause and regroup a year or so later. While this was post-Rosolino/Sims/Konitz/Levey, the Kenton Orchestra was never without ...
Norman David: Forty-Year Wizard of The Eleventet
by Victor L. Schermer
A few years ago, a musician friend suggested I go hear a band that was playing at a place in Bella Vista, Philadelphia, a neighborhood with a significant jazz history (violinist Joe Venuti and guitarist Eddie Lang lived there and are honored with several plaques and a mural) -but not much current music to speak of. ...
David Angel: Out on the Coast
by Jack Bowers
David Angel, one of the West Coast's best-kept secrets, earns a long-overdue hour or three in the sun and makes every moment count on Out on the Coast, a superlative three-disc anthology that bundles fifteen of his luminous original compositions with seven jazz standards in an invariably pleasurable and charming package. When not teaching, writing or ...
Vanessa Perica: Love is a Temporary Madness
by Jack Bowers
Even as the year 2020 has slid ignobly into the dustbin of history, music-lovers have been buoyed by a number of encouraging signs that the future of big-band jazz is in capable hands. While splendid recordings by old hands Mike Barone, Steve Spiegl, Mark Masters and Maria Schneider have helped keep the flame burning brightly, their ...
Stan Kenton and His Orchestra: In a Lighter Vein
by Jack Bowers
Stan Kenton was a man of many moods, as was his intrepid and popular orchestra, which endured until his passing in August 1979 and whose renown is kept alive even today by the Stan Kenton Legacy Orchestra. Kenton dons his carefree hat on In a Lighter Vein, an assortment of straight-ahead themes from the orchestra's jazz ...
Carl Saunders: Jazz Trumpet
by Dan Bilawsky
Septuagenarian trumpeter Carl Saunders, whose horn served and enhanced the music of Stan Kenton, Ella Fitzgerald, Frank Sinatra and numerous other icons, has been a steady presence on the Summit Records imprint. Whether exploring rare Bill Holman charts or crafting a program with a patriotic shine, acting as a featured guest with the Gary Urwin Jazz ...
Art Pepper: Mucho Calor
When brothers John and Alex Siamas started Rex Productions in 1957, it was conceived as a holding company for several record labels that they launched the same year. Andex was Rex's jazz and gospel imprint but also released R&B and rock 'n' roll singles. Keen was primarily rock 'n' roll and R&B. The third was Ensign, ...
The Stan Kenton Orchestra / Trinity College: Concert Impressions
by Jack Bowers
Here's another splendid two-disc anthology from Tantara Productions showcasing music from the capacious Stan Kenton library, performed on Disc 1 by the Kenton Orchestra circa 1972-76 and on Disc 2 by the Trinity College Big Band, Alumni Band and Symphony Orchestra in 2004 and 2007. Tantara has now released more than twenty albums, all devoted to ...
Stan Kenton and His Orchestra: A Kenton Trilogy, Part 1: Dance Time
by Jack Bowers
Better late than never. Having already appraised Part 2 of Sounds of Yesteryear's three-part salute to the Stan Kenton Orchestra, it seemed only proper that the same should be done (albeit out of order) for Part 1 (and Part 3 as well, whenever it is released). Unlike Part 2, which is devoted to the artistry of ...
Results for pages tagged "Bill Holman"...
Bill Holman
Born:
Born Willis Leonard Holman on May 21, 1927 in Olive, CA, near Santa Ana, Bill Holman took up clarinet in junior high school and tenor saxophone in high school by which time he was leading his own band. After serving in the Navy and studying engineering, he decided in the late '40s that he wanted to write big band music and studied for a while at the Westlake College of Music in Los Angeles with Dave Robertson and Dr. Alfred Sendrey. He also studied composition privately with Russ Garcia and saxaphone with Lloyd Reese.
In 1949 he played with the Ike Carpenter Band, in 1951, he was writing for Charlie Barnet, and in 1952 he began his association with Stan Kenton, for whom he wrote and played for many years. During the '50s, he was also active in the West Coast jazz movement, playing in small bands led by Shorty Rogers and Shelly Manne, and co-leading a quintet with Mel Lewis in 1958.
