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Ada Rovatti: Big Sax, Big Heart, Big Shoes
by Jim Worsley
From a small town in Italy to bright lights around the world, saxophonist Ada Rovatti boldly stepped into the big shoes of the late and legendary saxophonist Michael Brecker several years ago. She didn't fill them. No one could. Instead she has snugged up inside them and found her own way of expressing Brecker's music. Married ...
Enjoy Jazz 2020
by Martin Longley
Enjoy Jazz Mannheim/Heidelberg, Germany October 17-21, 2020 Enjoy Jazz spreads over many more weeks than most festivals. This German tri-city marathon usually presents at least one gig each evening, in either Heidelberg, Mannheim or Ludwigshafen, starting in early October, and continuing until mid-November. In 2020, the datesheet flowed smoothly for ...
Trio Grande: Three instruments, three nationalities, one supergroup
by Friedrich Kunzmann
An incessant stream of new artists, new ideas, revisitations of old ideas and ever-shifting technological inventions continues to push jazz onward, forward into the 21st Century. While most of today's music began taking root and developing in the turbulent jazz topographies of the last century, each new interpretation, extension and redesign today adds a new perspective, ...
The Awakening Orchestra: Volume II: To Call Her to a Higher Plan
by Angelo Leonardi
Tra gli orchestratori e bandleader emersi di recente Kyle Saulnier è uno dei più interessanti. Il suo esordio con l'Awakening Orchestra nel doppio This Is Not the Answer (Innova 2014) ha rappresentato una sorprendente rivelazione per padronanza di scrittura e spregiudicata sintesi di elementi diversi, inclusi il free e il rock. Con un taglio ...
William Chernoff: Aim To Stay
by Hrayr Attarian
Canadian bassist William Chernoff showcases his crisp, clever writing and musicianship on his exciting debut, Aim To Stay. Leading a quartet made up of fellow alumni from Capilano University, Chernoff interprets seven of his lyrical originals that draw upon his various influences. For instance guitarist Bill Frisell serves as an inspiration for “Stop Me ...
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...
Mary Halvorson's Code Girl: Artlessly Falling
by Vic Albani
Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...
Sting: An English (Jazz-)Man In New York - Part 2
by Ludovico Granvassu
Although Sting is mostly known for his solo career and, before that, for fronting one of the most epic band of all times, The Police, his love for jazz has been a common thread throughout his career. His jazz sensibility became more prominent when he started his solo career with the album The Dream of the ...
Rez Abbasi: On balancing picture with music and shifting into Django mode
by Friedrich Kunzmann
To really distinguish oneself in today's vast universe of guitarists, even within the confines of jazz, more and more resembles a Sisyphus task. When so much has been said and done, a specific tone or distinctive vocabulary alone no longer suffice to set an artist apart from the crowd. It is only through the sum of ...
King Khan: The Infinite Ones
by Chris May
Something about the vibe of this completely wonderful album, and the milieu which its record label inhabits, puts one in mind of Beat poet Lawrence Ferlinghetti's self-published limited-editions of the 1960s. These were, according to information given on page three, “Printed, published, freaked out, & zapped by the Fuck You/ press at a secret grope-bunker somewhere ...
