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Espen Berg: Acres of Blue
by Eyal Hareuveni
Acres of Blue is the second volume of solo piano albums by Norwegian pianist Espen Berg, an organic extension of the most beautiful, Noctilucent (Atterklang, 2012). This time Berg chose to present a mixture of original compositions, improvised pieces, and arrangements of pieces that reference the breadth of his musical vocabulary and his formative influences--romantic compositions ...
George Cables: Icons and Influences
by Jack Bowers
When a jazz musician has been around as long as pianist George Cables, and has seen, heard and performed with so many other world-class musicians, such interactions are bound to leave a lasting impression, and on the trio date Icons and Influences Cables warmly salutes a number of those who have helped frame his musical persona ...
Birchall & Woolhouse: The Scenery of Life Unfolding
by Dan McClenaghan
Piano trio albums--piano, bass and drums--may be the more common means of artistic expression in jazz, but piano/bass duet sets come long fairly often, too. Bassist Charlie Haden is a master of the approach, proof of which can be found on his teamings with pianists Keith Jarrett and Hank Jones on, respectively, Jasmine (ECM Records, 2011) ...
Cava Menzies and Nick Phillips: Their Moment
by Bob Kenselaar
Every once in a while, a couple of jazz musicians who've never played with each other before find themselves together on a bandstand, and something special really clicks. They just jell musically as if they've been playing together all their lives. Pianist Cava Menzies and trumpeter Nick Phillips experienced such an encounter not long ago, when ...
David Ian: Valentine’s Day
by C. Michael Bailey
"A familiar world of jazz classics with the vintage feel..." Is it possible for jazz to have the same “historically-informed performance" preoccupation as classical music has since the 1970s?. This is not the same as the “period instrument" preoccupation of the same period in classical recording, though they do go hand-in-hand. “Historically informed" means the period ...
Herb Geller: A Musician's Musician
by Joan Gannij
I first met Herb Geller in 2002 at a concert in Amsterdam at the original Bimhuis jazz club. The band was gathering their equipment from the stage and we started chatting about being raised in Los Angeles. When I was a teenager, the tall and lanky genial gent was playing at the local clubs that my ...
Live At Montmartre Series
by Chris Mosey
Recordings are now being made in Montmartre, the legendary Copenhagen jazz club, which--thanks largely to the efforts of pianist Niels Lan Doky--reopened in 2010. The original Montmartre started in 1959 as a venue for trad, which Scandinavians call “happy jazz." Stan Getz, who lived in the Danish capital from 1958-1961, introduced more modern ...
Claudio Filippini: Facing North
by Robin Arends
Pianist Claudio Filippini, born in Pescara in 1982, is one of the bright young stars of Italian jazz. With his album The Enchanted Garden (CAM Jazz, 2011) he was hailed as the new “wonder boy" of Italian jazz. Now he is regarded as a pianist/composer of international stature, with his album Facing North (CAM Jazz, 2013) ...
Take Five With Charlie Peacock
by AAJ Staff
Meet Charlie Peacock: Charlie Peacock is an American multi-genre Grammy Award-winning record producer, composer, and recording artist. He has award-winning and chart-topping credits in jazz, gospel, country, folk, Americana, rock, and pop. Lemonade (Twenty Ten Music, 2014) is Peacock's third recording in the jazz genre. His first release, Love Press Ex-Curio (Thirty Tigers, ...
Rob Derke & the NYJAZZ Quartet: Blue Divide
by J Hunter
The name “NYJAZZ Quartet" does beg the question, “What is New York Jazz?" Even narrowing the definition to “home grown" music doesn't help, since that range runs from the mainstream sounds of Birdland and the Blue Note to the next-level avant-garde associated with Smalls and the late lamented Knitting Factory. With Blue Divide, saxman Rob Derke ...
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