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Jakko M. Jakszyk: Secrets & Lies
by John Kelman
Life often unfolds in unexpected ways. For some, like Jakko M. Jakszyk, it has taken some truly surprising twists and turns. That the 62 year-old multi-instrumentalist, vocalist and songwriter has attained considerably greater visibility in the last ten years than in the previous 35 has, to say the least, righted a significant wrong. Which makes the ...
Take Five with AXIOM
by AAJ Staff
Meet Axiom Founded and brought together by brothers Pete and Phil Templer, guitarist/composer and drummer/percussionist/composer respectively, the goal was to establish a creative and engaging environment to present a dynamic musical experience to audiences of all types. Pete and Phil both hail from the Midwest where they began their musical journey studying and playing ...
Django Bates: 60+40—Charlie Parker: 100
by Vic Albani
Nel nefasto 2020 molte celebrazioni, anniversari e festival a tema hanno dovuto arrendersi all'emergenza Covid-19 anche se, in calendario, ne sono rimasti alcuni davvero irrinunciabili. Uno di questi è il centenario della nascita del signor Charlie Parker, nato a Kansas City il 29 agosto 1920 e scomparso poi a New York nella primavera del 1955. Ad ...
All About Jazz Senior Contributor John Kelman Announces New King Crimson Book
All About Jazz Senior Contributor John Kelman is pleased to announce, after nearly fifteen years associated with the website, his first book, currently in progress and expected to be released sometime next year by Panegyric Publishing. The book revolves around his vast amount of writing about King Crimson, one of the founding fathers of progressive rock ...
Bill Bruford: In the Court of the Percussion King
by Mike Brannon
A charmed life might be a good way of describing that of Bill Bruford. Always at the center of and driving vastly creative projects, including King Crimson, Yes, Earthworks, Genesis, Bruford, Gong and many other collaborations of like minds, Bruford continues to amaze and astound both audiences and the modern greats of drumming alike. Though at ...
Give the Drummer (More Than) Some! Part 3
by Ludovico Granvassu
More music featuring projects lead by drummers. Drums for civil rights, solos and duos, and poetry drumming. Happy listening! PlaylistBen Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Terri Lyne Carrington “If Not Now (feat. Maimouna Youssef)" Waiting Game (Motema) 0:16 Host talks 5:42 Max Roach “Driva' Man" We ...
Sirkis/Bialas IQ: Our New Earth
by Ian Patterson
A lament for our damaged earth, a prayer for a better future, Sirkis/Bialas IQ's second recording, after its well-received debut Come To Me (Stonebird Productions, 2015), is an ambitious, far-reaching work. Contemporary jazz with a world view, Our New Earth draws from Middle Eastern, Southern Indian carnatic, Eastern European folk and contemporary classical traditions. That it ...
Results for pages tagged "Bill Bruford"...
U.K.
U.K. were a British progressive rock supergroup originally active from 1977 until 1980. The band was composed of singer/bassist John Wetton (formerly of King Crimson, Roxy Music, Bryan Ferry's band and Uriah Heep), keyboardist/electric violinist Eddie Jobson (formerly of Curved Air, Roxy Music and Frank Zappa's band), guitarist Allan Holdsworth (formerly of Tempest, Soft Machine, The New Tony Williams Lifetime and Gong) and drummer Bill Bruford (formerly a full member of Yes and King Crimson, and also a tour drummer for Genesis), who was later replaced by drummer Terry Bozzio (formerly of Frank Zappa's band)
Pat Metheny: From This Place
by John Kelman
It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...
Results for pages tagged "Bill Bruford"...
Bill Bruford
Born:
Bill Bruford grew up with jazz. As an amateur drummer in the 1960s, and after a handful of lessons from Lou Pocock of the Royal Philharmonic Orchestra, he began his professional career in 1968. He was a guiding light in the so-called British "Art Rock" movement, touring internationally with Yes and King Crimson from 1968-74. There then followed several years spent observing and participating in the music making processes of, among others, Gong, National Health, Genesis and U.K., until Bill felt ready to write and perform his own music with his own band Bruford, recording four albums from 1977-80. It was, however, the reconstituted King Crimson of 1980-84 that provided the vehicle for his revolutionary use of electronics in developing the melodic side of percussion
