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117

Article: Album Review

Brian Carpenter’s Ghost Train Orchestra: Hothouse Stomp

Read "Hothouse Stomp" reviewed by C. Michael Bailey


One of the beauties of long-lived music genres is if a current one becomes boring and the future looks, well, too futuristic, we can always go backwards, investigating earlier forms we may have not paid attention to earlier. And herein lies the value of Brian Carpenter's Hothouse Stomp: The Music of 1920 Chicago and Harlem. The ...

512

Article: Big Band Caravan

Ed Puddick Big Band / Frank Macchia / Rick Wald NY 16

Read "Ed Puddick Big Band / Frank Macchia / Rick Wald NY 16" reviewed by Jack Bowers


Ed Puddick Big Band Guys & Dolls Diving Duck Records 2010 The late Frank Loesser wrote at least 700 songs, more than a dozen of which are included in the score for the smash musical Guys and Dolls, which, believe it or not, opened on Broadway more than sixty years ...

828

Article: Interview

Lauren Sevian: Big Voice on the Big Horn

Read "Lauren Sevian: Big Voice on the Big Horn" reviewed by R.J. DeLuke


Swaying slightly, with eyes closed, Lauren Sevian pours a lot of heart and grit into the big, baritone saxophone--the largest of the most commonly played saxophones and an axe that looks even more considerable when seen against her small frame. She comes out with an imposing sound and welcoming style, put forth through a striking conception. ...

174

News: Recording

"JAZZ ROOTS: Music of the Americas" Out April 5th!

Sony MASTERWORKS Jazz in partnership with producer Larry Rosen will release JAZZ ROOTS: The Music of the Americas, the first compilation of this new branded series which traces the story of Jazz starting with the “Drums from Africa" and their effect on the musical DNA of the Americas. The historical descriptions for the package have been ...

595

Article: Interview

David Caceres: Double Threat Coming Forward

Read "David Caceres: Double Threat Coming Forward" reviewed by R.J. DeLuke


The singer/instrumentalist in jazz has a long and honorable tradition. Many of those, though certainly not all, are more known for their singing than playing, especially in the last 20 years or so. But almost universally, they're enjoyed for what they can do, breathing a certain joie de vivre into songs by expressing the lyrics, then ...

77

News: Radio

Texas Caceres Family Featured This Week on Riverwalk Jazz

Texas Caceres Family Featured This Week on Riverwalk Jazz

This week Riverwalk Jazz presents a tribute to the Texas musical legacy of the Caceres family. The show is distributed nationwide in the US by Public Radio International and worldwide on Sirius/XM as well as streamed on-demand from the Riverwalk Jazz website. Hot jazz has always found a home in San Antonio. In the 1930s, Emilio ...

115

News: Education

Extended Interviews with Jazz Greats Available on Hamilton College Jazz Archive Website

A collection of 300 audio interviews with jazz musicians, arrangers, writers and critics, the jazz greats and the supporting cast from the 1930s to the present, is now available online and free to the public courtesy of the Hamilton College Jazz Archive at www.hamilton.edu/jazzarchive. Listeners can click on a link and read the transcripts or listen ...

57

News: Event

Smithsonian Marks 10th Anniversary of Jazz Appreciation Month

Smithsonian Marks 10th Anniversary of Jazz Appreciation Month: Focuses on Women's Contributions to America's Music The Smithsonian's National Museum of American History will mark the 10th annual Jazz Appreciation Month in April with a monthlong celebration of jazz featuring performances, talks, tours and family-oriented events. This year's 10th anniversary programming will examine the legacies of women ...

172

Article: Album Review

Sammy Nestico and the SWR Big Band: Fun Time and More Live

Read "Fun Time and More Live" reviewed by C. Michael Bailey


Big band jazz has evolved into its own avant-garde art form, where the arrangements have become progressively more complex and cerebral. Not that there is anything wrong with that, but it does make for a different type of big band listening experience. Modern big band jazz, in some quarters, has veered off into a non-swinging, Stan ...

158

News: Interview

Terry Gibbs on Benny Goodman

Terry Gibbs on Benny Goodman

"[In 1950, when I was in Benny Goodman's Sextet], Benny used to bug me every time I would start to play my jazz choruses. He would let me play for about eight bars, and if I started swinging, he'd immediately pick up his clarinet and join me in playing. But first he'd put his cigarette down ...


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