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Barry Guy / Marilyn Crispell / Paul Lytton: Deep Memory
by John Sharpe
Bassist Barry Guy took a key role in pianist Howard Riley's groundbreaking trio in the late 60s, early 70s. And while that early experience has in no way defined him, it means it perhaps comes as less of a surprise that he has increasingly turned to the format in the latter part of his career. One ...
Barry Guy: The Blue Shroud
by John Sharpe
In some ways, The Blue Shroud might be Barry Guy's signature work. It's the first to unite his varied interests in Baroque music, composition, jazz and improv at an orchestral scale. To do so Guy assembles a 14-strong crack unit capable of interpreting each aspect to the highest level, including several early music specialists who are ...
Jason Roebke Octet: Cinema Spiral
by John Sharpe
Bassists leading mid-size bands inevitably bring to mind the trail-blazing precedent established by Charles Mingus. Others like Dave Holland, Barry Guy and Adam Lane followed. To that roster can be added bassist Jason Roebke, one of the stalwarts of the productive Chicago scene. Cinema Spiral constitutes the sophomore effort by his Octet, following on from High/Red/Center ...
Mats Gustafsson: MG50 Peace & Fire
by Mark Corroto
Mats Gustafsson at fifty. Name another artist who has had this significant and widespread effect on jazz, noise, free improvisation, alternative rock, electronica, and free jazz. Besides John Zorn, that pool is quite shallow. Gustafsson's music seems to attract innovative players into imaginative situations. If you are a fan, this 50th birthday celebration recorded in October, ...
Liquid Trio: Marianne
by Mark Corroto
The free jazz of the Liquid Trio might best be described as quicksilver, a sort of liquified metal. In the context of music making, their ability to move and change shape instantly makes them difficult to contain. Marianne, the follow up to Primer Dia i Última Nit (Sirulita, 2013), is the second album released by this ...
Five New From Konvoj Records
by Mark Corroto
If you are a free jazz fanatic, you probably look for those out-of-print vinyl offerings from labels like Hat Hut, FMP, Sonet, and El Saturn Records. Sadly, you would have to be either independently wealthy or Mats Gustafsson to acquire the rarest of the rare music. But take heart, there are small labels producing the free ...
Bob Downes Open Music: Blowin' With Bass
by Claudio Bonomi
Bob Downes, compositore e polistrumentista britannico, estrae dal proprio magic box un'altra chicca che farà fellce gli appassionati di jazz, o meglio, di British Jazz. Il movimento che, a partire della fine degli anni Sessanta, produsse un pimpante manipolo di musicisti-pionieri che ancora oggi calcano le scene internazionali come Evan Parker, John Surman, Keith Tippett, John ...
Moppa Elliott: Still, Up In The Air
by Luca Canini
Non è facile volere bene a quel brontolone del contrabbasso quando decide di mettersi in proprio. Il legno, le corde, l'archetto, il suono goffo e introverso, le note slabbrate, imprecise, la fatica immane di cavare sangue dal più rapa degli strumenti: poche altre situazioni in ambito improvvisativo sanno essere più scorbutiche e meno amichevoli. Eppure la ...
Torben Snekkestad: Winds Of Mouth
by Mark Corroto
The Homo sapien caveman picked up a goat's horn and blew some notes through it to entertain the Neanderthals, who had somehow, not paid the cover charge for the spring solstice show. No worries he thought, they'll soon be extinct, and I've just invented music. What the Neanderthals were fascinated with, was, just how ...
Barry Guy / Ken Vandermark: Occasional Poems
by John Sharpe
For British bassist Barry Guy the concert that produced this fine double disc package occurred at the end of a four day intensive residency in Krakow culminating in the premier of an ambitious new work by his Blue Shroud Band. While for Chicago reedman Ken Vandermark, the event was the final episode in two months on ...
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