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Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
Liudas Mockūnas / Arnas Mikalkenas / Håkon Berre: Plunged
by John Sharpe
Recorded at the 2014 Vilnius Jazz Festival by a band comprising two Lithuanians and a Norwegian, which was one of the standouts of the 2017 Vilnius Mama Jazz Festival, Plunged proves an unexpected delight. Of the three participants, reedman Liudas Mockūnas is likely best known, having recorded with bassist Barry Guy, drummer William Hooker and saxophonist ...
Deep Memory
By Barry Guy
Label: Intakt Records
Released: 2017
Track listing: Scent; Fallen Angel; Sleeper; Blue Horizon; Return of Ulysses; Silenced Music;
Dark Days.
BAN BAM: Music Talking
by Ian Patterson
BAN BAM The Complex Dublin, Ireland November 25, 2017 BAN BAM is a new, one-day festival by Improvised Music Company--an initiative to address the gender imbalance in jazz/improvised music. A related All About Jazz article covered the conversations by industry professionals around the gender issue that took place in the ...
Mike Osborne: Force Of Nature - Part 1-2
by Barry Witherden
Part 1 | Part 2 Some three-and-a-half minutes into Release, the Deram recording of Mike Westbrook's seminal suite mixing Swing classics with Westbrook originals, after a scorching solo by John Surman on “The Few," an alto saxophone cadenza emerged from a free ensemble passage: the tone was penetrating, incisive, severe, the phrasing intense, passionate ...
Atlantic Bridge: Atlantic Bridge
by Roger Farbey
Pianist Mike McNaught already had form as an evangelist of pop-inspired jazz, as witnessed on his previous group The London Jazz Four's 1967 Polydor release Take A New Look At The Beatles. However, on this eponymously titled idiosyncratic marriage of jazz and pop, Atlantic Bridge has a stab at two Beatles numbers and three Jim Webb ...
Evan Parker
by John Eyles
In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...
Bob Downes Open Music: Let Your Mind...Space Out
by Roger Farbey
Any CD release by Bob Downes is a significant event but the psych-entitled Let Your Mind...Space Out is important because it also celebrates the 80th birthday of this virtuoso jazz multi-instrumentalist. It's hard to credit that Downes, like his contemporaries Mike Westbrook and Mike Gibbs has now achieved octogenarian status, given that his early oeuvre was ...
Neil Ardley & the New Jazz Orchestra: On The Radio: BBC Sessions 1971
by Duncan Heining
Neil Ardley was a truly remarkable individual. As well as his work in jazz as a composer/band-leader/arranger, Neil was a scientific author with 101 books to his name, which sold over 10 million copies. I spoke to him once but, sadly, Ardley had died by the time I commenced work on my book on British jazz, ...
Derek Bailey
by John Eyles
Guitarist Derek Bailey was one of the more prominent and influential musicians from the “first generation of free improvisation" that developed in London in the mid-sixties and gradually promoted the music around the world. Although several members of that generation were leaders, Bailey often seemed the de facto leader of the group. Partly, this was a ...
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