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Results for "Astrud Gilberto"
Ben Sher: Samba for Tarsila
by Neil Duggan
Ben Sher, an acclaimed jazz guitarist based in New York City, brings us Samba for Tarsila, in which he pays a musical tribute to the Brazilian modernist painter, Tarsila de Aguiar do Amaral (1886-1973). Her vivid abstract paintings of the Brazilian landscape have provided Sher with his inspiration for this project. To help him ...
Andrea Motis e Marco Mezquida al Teatro Golden di Palermo
by Maurizio Zerbo
Andrea Motis e Marco Mezquida Nomos Jazz 2022/2023 Teatro Golden Palermo 8.12.2022 La formula piano/voce sembrava la più adatta per mettere in risalto le qualità della vocalist/trombettista Andrea Motis, astro nascente del jazz spagnolo. Ma la sua voce diafana, mutuata nello stile e nell'impostazione timbrica da Astrud Gilberto, è stata ...
Jazz World Records: From Hong Kong with Love
by Rob Garratt
"I've had plenty of labels in the past--three or four, I can't remember--and I always swore I'd never do it again," begins Clarence Chang as he sits down to lunch. And yet here we are, chewing linguine and discussing the label he just founded, Jazz World Records. “The only true jazz label in ...
Meeco: Keeping It Real
by Chris May
The Berlin-based producer and composer Meeco has a niche but devoted following, built up over a series of romantically inclined and elegant albums released between 2009 and 2014. The discs, which have pronounced Latin flavours, are Amargo Mel (Connector, 2009), Perfume E Caricias (Connector, 2010), Beauty Of The Night (Connector, 2012) and Souvenirs Of Love (Double ...
Ester Wiesnerova: Blue Journal
by Bruce Lindsay
Sometimes, catching the eye can be as important as catching the ear, at least in the beginning. Slovakian singer and composer Ester Wiesnerova definitely catches the eye with her debut release, Blue Journal. Inside a plain brown cardboard box is something of a tactile, as well as visual, treat:--a book covered in rich blue felt, full ...
From George Coleman to Meeco: Ten Overlooked Classics
by Chris May
The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...
Alexis Parsons: Alexis
by Jack Bowers
The self-named Alexis is the third album by New York-based vocalist Alexis Parsons. To showcase her talents, she has chosen a medley of standards (half a dozen) and lesser-known but engaging originals, opening and closing with the Cole Porter classics “Easy to Love" and “In the Still of the Night." Rodgers and Hart, the Gershwins, Kurt ...
Antonio Adolfo: Jobim Forever
by Pierre Giroux
It might be expected that everything one might want to say or write or play about Antonio Carlos Jobim and his music would have been done already. Apparently not. Pianist and friend Antonio Adolfo wanted to go back to the period of the 1960s, to record those Jobim compositions that Adolfo fell in love with as ...
Astrud Gilberto: 30 Years of Videos
We began the week with my post on Astrud Gilberto's last three Verve albums. Let's end with videos of the Brazilian singer in action from 1965 to 1983. As you will see, you really can't have too much Astrud Gilberto: Here's Gilberto in 1965 singing Agua de Beber... Here's Gilberto in 1966 singing Bim Bom... Here's ...
Astrud Gilberto: Gilberto Golden
In 1969, Verve released the label's last three albums by singer Astrud Gilberto. The first two were I Haven't Got Anything Better to Do and September 17, 1969. Al Gorgoni arranged the former and all of the latter except for Let's Have The Morning After (Instead of the Night Before), which was arranged by Michael Leonard. ...
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