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Gus Bivona: Music for Swingers
Arcuiso “Gus" Bivona was never a household-name clarinetist like Artie Shaw or Buddy DeFranco, but during the big band era and throughout the 1950s, he was one of the finest and most relaxed swing studio clarinetists in the business. He also was a rock-solid alto saxophonist. Bivona came up in the late 1930s in Will Hudson's ...
Flame Keepers: National Jazz Museum in Harlem
by Karl Ackermann
On 129th Street, in the heart of Harlem, Loren Schoenberg emerges from a crowded back room with an unusual looking recording. Aluminum discs like the one he holds, were the first instant, electrical means of recording. Invented in 1929 they were a means of allowing radio stations to record and archive live programs that could be ...
Jazz Musician of the Day: Artie Shaw
All About Jazz is celebrating Artie Shaw's birthday today! Artie Shaw, a brilliant jazz clarinetist, was one of the most enigmatic, daring and adventurous bandleaders of the swing-era. An intellectual, he hated public life and the music industry. Over the course of his short career he formed ten orchestras and disbanding most of them after only ...
50 Years at the Village Vanguard: Thad Jones, Mel Lewis and the Vanguard Jazz Orchestra
by C. Andrew Hovan
50 Years at the Village Vanguard: Thad Jones, Mel Lewis and the Vanguard Jazz Orchestra Dave Lisik and Eric Allen 316 Pages ISBN: #9780692808580 SkyDeck 2017 During the heydays of the big bands, people swooned and jitterbugged to the swinging sounds of these large ensembles. Names like Count Basie, ...
Rick Hirsch's Big Ol' Band: Pocono Git-Down
by Richard J Salvucci
Years ago, in liner notes forgotten somewhere, Phil Woods said, “There are good players everywhere. You don't have to go to New York to find them," or words to that effect. I was reminded of that observation listening to Rick Hirsch's . It is composed of players from Central Pennsylvania, with Hirsch himself in State College. ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Artie Shaw: Pied Piper
On a Sunday afternoon in July 1946, CBS's Columbia Workshop broadcast The Pied Piper of Hamelin, featuring a story adaptation and music by Artie Shaw. The national radio show broadcast from Columbia Square in Hollywood was aimed at young kids home from school. Weeks later, Shaw's label, Musicraft, brought together Shaw and the broadcast's ensemble to ...
Michael Gamble and The Rhythm Serenaders: Michael Gamble and The Rhythm Serenaders
by Mark Sullivan
Swing Era music was exciting, infectiously rhythmic music, played for dancers. Bassist and bandleader Michael Gamble and the company of musicians making up The Rhythm Serenaders stay true to both the sound and the spirit of that time in this program of well known Swing standards, plus a few more obscure standards that might have been. ...
Johnny Mandel: Krazy Kat
By the late 1940s, most of the marquee big bands fronted by Swing Era bandleaders featured bebop arrangements. Bebop's popularity at the end of the decade owed a great deal to the increased influence of jazz disc jockeys, concert promoters and writers who championed the new music. Developed mid-decade by African-American musicians such as Charlie Parker, ...
