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14

Article: Profile

Omar Sosa: Building Bridges Not Walls

Read "Omar Sosa: Building Bridges Not Walls" reviewed by Duncan Heining


Cuban-born pianist, Omar Sosa is a passionate man. Music, religion, family, his relationship to the planet—all these are inseparable to an artist whose musical world is steeped in the Afro-Cuban heritage that he draws upon so personally and individually in his work. Spinning culinary metaphors to describe the processes of music-making, he sings the praises of ...

3

Article: Album Review

Joris Teepe: In The Spirit Of Rashied Ali

Read "In The Spirit Of Rashied Ali" reviewed by Mike Jurkovic


Taking Elvin Jones' vaunted place in John Coltrane's eternal journey beyond the expected, Rashied Ali's mutable, intuitively malleable sense of time, at once both visceral and disembodied, propelled the saxophonist further into his explorations of music as a free, transcendent, spiritual entity. Although he continued to innovate with Alice Coltrane and Archie Shepp and influence musicians ...

Article: Live Review

Bergamo Jazz Festival 2019

Read "Bergamo Jazz Festival 2019" reviewed by Libero Farnè


Bergamo Jazz Festival Varie sedi 21-24.3.2019 Il Bergamo Jazz Festival non cessa di rinnovarsi nella continuità. È stato questo il quarto e ultimo anno della direzione artistica di Dave Douglas. Nel 2020 il testimone passerà nelle mani di Maria Pia De Vito. Scelta opportuna non solo perché la cantante napoletana introdurrà la ...

1

Article: Album Review

Tom Rainey Trio: Combobulated

Read "Combobulated" reviewed by Stefano Merighi


Tom Rainey è da anni batterista tra i più versatili. A suo agio nella lingua della tradizione (Fred Hersch, Joe Lovano, Carmen McRae, il suo gruppo Obbligato..) ma anche nelle forme aperte della postmodernità (Tim Berne, David Torn, Nels Cline...), raggiunge con il suo trio risultati anomali, di volta in volta più sorprendenti. Sempre affiancato da ...

3

Article: Album Review

Infinite Spirit Music: Live Without Fear

Read "Live Without Fear" reviewed by Chris May


Britain's Jazzman Records has form when it comes to spiritual jazz. Its series Spiritual Jazz: Modal, Esoteric and Deep Jazz, now one release away from its tenth volume, has made accessible again some of the most worthwhile but near-lost African American music of the 1970s. The label also supports modern day British musicians. Stand out home-grown ...

4

Article: Album Review

Franz Koglmann / Bill Dixon: Opium For Franz

Read "Opium For Franz" reviewed by Mark Corroto


This gem of a recording has been a collector's dream prize for decades. Recorded and released in the mid-1970s on flugelhorn/trumpeter Franz Koglmann's Pipe Recordings, each copy of Opium For Franz was issued with an original hand painted cover. Back in the day, we wouldn't speak of a limited issue release, even though this one probably ...

8

Article: Album Review

Marion Brown / Dave Burrell: Live at the Black Musicians' Conference, 1981

Read "Live at the Black Musicians' Conference, 1981" reviewed by John Sharpe


Once again the Lithuanian NoBusiness team has unearthed a jewel from the archives, this time an unissued live recording by two masters of the 1960s New Thing who thrived thereafter. Alto saxophonist Marion Brown, a participant on John Coltrane's legendary Ascension (Impulse, 1965), and pianist Dave Burrell, a stalwart of Archie Shepp's outfits, combined on a ...

8

Article: Album Review

Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981

Read "Live at the Black Musicians' Conference, 1981" reviewed by Mark Corroto


One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...

15

Article: Radio & Podcasts

Frank Zappa's Jazz Legacy Refuses to Die

Read "Frank Zappa's Jazz Legacy Refuses to Die" reviewed by Ludovico Granvassu


Frank Zappa may have said “jazz is not dead, it just smells funny" but looking at his life and music one does not get the impression that he really believed that jazz was decomposing or dying a slow death. On Freak Out, one of the most impressive debut albums of all times, he ...

36

Article: Profile

The Complete Jan Akkerman: Focusing on a Life's Work

Read "The Complete Jan Akkerman: Focusing on a Life's Work" reviewed by John Kelman


He may be largely regarded as the most influential guitarist to emerge from the Netherlands, a country that, bordering on the North Sea, is roughly one-quarter the physical size of England and, with a current number of about seventeen million, has just one-third the population of the UK's largest country. Still, despite garnering major in-country recognition, ...


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