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Article: Live Review

Kerava Jazz 2018

Read "Kerava Jazz 2018" reviewed by Anthony Shaw


Kerava Jazz Festival Kerava, Finland May 25-27, 2018 The town of Kerava plays as much roll in the lives of most Finns as just its fleeting name on the station that express trains speed through on their way to the capital Helsinki, 20 miles south. Or for the international traveler ...

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Article: Album Review

Tunto: Ilona

Read "Ilona" reviewed by Anthony Shaw


The latest album from Matti Wallenius and Tunto is again primarily centered on his melodious guitar work and the quirky tunes that he and his long-standing reedist Petri Heimonen have come up with. They are all rambling journeys down exotic paths (here often Hispanic or Arabic) where a rich palette of earthy acoustic rhythms are wound ...

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Article: Album Review

Mopo: Mopocalypse

Read "Mopocalypse" reviewed by Anthony Shaw


Mopo, the Finnish trio from Helsinki, have now been on the scene since 2009, and since 2011 winning their selection round for the Young Nordic Comets competition, have been performing their brand of quirky and frequently funky jazz around Europe. Their fourth full length album continues their punk inspired attitude to music making with eight tracks ...

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Article: Live Review

We Jazz Festival 2017

Read "We Jazz Festival 2017" reviewed by Anthony Shaw


We Jazz Festival Helsinki, Finland December 2-9, 2017 Being a party animal at latitudes above 60 degrees takes some doing in the winter months, in Anchorage as in Archangel. Helsinki is south of both cities, just, but is host to one of Scandinavia's hottest and yet coldest modern jazz festivals in ...

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Article: Album Review

Olli Ahvenlahti: Thinking, Whistling

Read "Thinking, Whistling" reviewed by Anthony Shaw


When Mose Allison wrote in 1958 that 'a young man ain't got nothing in the world these days' he was probably not intending to make a philosophical statement--more a question of power politics. But now(adays) the line now suggests something else to me. I think neither Roger Daltrey nor I thought about it this way, at ...

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Article: Album Review

3TM: Form

Read "Form" reviewed by Anthony Shaw


Teppo Mäkynen has been playing the Scandinavian jazz circuit for well over 20 years, typically as the drummer in the company of the Five Corners Quintet (which itself grew out of Nuspirit Helsinki), where he also partnered the featured bassist here, Antti Lötjönen. In this line up he was playing a type of post-bop acoustic jazz, ...

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Article: Album Review

Jukka Eskola: Soul Trio

Read "Soul Trio" reviewed by Anthony Shaw


Jukka Eskola is a Finnish trumpeter, well known among Scandinavian audiences particularly from his membership of the now inactive but well loved Five Corners Quintet. In fact despite the band's title, only four of the ten tracks on offer here feature only the Trio, and of the rest two actually feature a majority of the Quintet's ...

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Article: Live Review

April Jazz Festival in Espoo, Finland

Read "April Jazz Festival in Espoo, Finland" reviewed by Anthony Shaw


April Jazz Espoo, Finland April 26-30, 2017 April in southern Finland is a time of rapidly lengthening daylight and often crystalline blue skies heralding spring. This year though relentless gray skies and bitter winds made the appeal of a long weekend of top class jazz an even stronger motivation to ignore the ...

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Article: Album Review

Papanosh: A Chicken in a Bottle

Read "A Chicken in a Bottle" reviewed by Anthony Shaw


Papanosh originate in the northern French city of Rouen and have been together over 10 years. This second CD of somewhat discordant, deconstructed hard bop is another example of their concept of an imagined folklore, a new musical tradition created together by musicians and listeners in their shared synergy. It involves widely varied music that, with its sudden ...

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Article: Album Review

Sväng: Hauptbahnhof

Read "Hauptbahnhof" reviewed by Anthony Shaw


From the outset, Sväng's eighth album Hauptbahnhof evokes a bygone age of often gilded life, leisured strolls, and acoustic instrumentation. Or is it just the evocative sound of their four harmonicas that immediately conjures marching men, wartime truces and so forth? In any case this album of idiosyncratic tunes, and one song, does more than its ...


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