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1

Article: Lyrics

Save the Date - Maggio 2015

Read "Save the Date - Maggio 2015" reviewed by Luca Canini


Maggio, tempo di festival. Concerti e rassegne da un angolo all'altro dello Stivale. Piazze piene, cortili aperti, giardini sonanti: non c'è che da scegliere. In base ai gusti, alle distanze e agli impegni. Dal canto nostro, come ogni mese, ci permettiamo di caldeggiare le proposte più allettanti e fuori dagli schemi, lasciando da parte i cartelloni ...

5

Article: Album Review

Nate Wooley: Battle Pieces

Read "Battle Pieces" reviewed by Mark Corroto


Someday trumpeter Nate Wooley is going to sell-out, abandon his principles, and make a smooth jazz record. He will give in to the pull of commercial success and create a disc of elevator music which can be played, but taken no heed of. I jest, because everything he creates necessitates the ear and mind's ...

Article: Lyrics

La persistente attualità di Tim Berne

Read "La persistente attualità di Tim Berne" reviewed by Libero Farnè


Negli ultimi tempi sembra che Tim Berne, sessant'anni compiuti il 16 ottobre 2014, stia vivendo una seconda giovinezza e una grande maturità creativa, che lo hanno portato anche a collaborare con vari gruppi di musicisti emergenti che si potrebbero idealmente considerare suoi allievi. Dopo essere giunto a incidere per la ECM ha raggiunto un riconoscimento ancora ...

Article: Album Review

Branford Marsalis: In My Solitude - Live at Grace Cathedral

Read "In My Solitude - Live at Grace Cathedral" reviewed by Angelo Leonardi


Il primo jazzman non pianista a incidere in piena solitudine fu il sassofonista Coleman Hawkins, con il celebre “Picasso" del 1947. Per molto tempo la solo performance è stata marginale nella musica afroamericana e solo negli anni settanta ha conosciuto ampia diffusione grazie a strumentisti come Steve Lacy, Anthony Braxton, Roscoe Mitchell, Bill Dixon o Albert ...

4

Article: Album Review

Roscoe Mitchell Trio: Angel City

Read "Angel City" reviewed by John Sharpe


Throughout his career Chicago multi instrumentalist and composer Roscoe Mitchell has forensically examined two key polarities. More than most he has focused on the tensions between sound and silence and composition and improvisation. On Angel City, a continuous 55-minute opus recorded over two days in 2012 at Mills College in Oakland where Mitchell is professor of ...

82

Article: Album Review

Martin Archer's Engine Room Favourites: Bad Tidings From Slackwater Drag

Read "Bad Tidings From Slackwater Drag" reviewed by Glenn Astarita


British multi-reedman Martin Archer is a cunning maverick who exploits the seemingly limitless expanse of progressive jazz, electronica and improvisation, evidenced by his hearty discography, performing as a solo artist or when collaborating with many of his peers. Moreover, this large ensemble's second album is influenced by the Chicago, IL based, Association for the Advancement of ...

25

Article: Jazz Art

Ziga Koritnik and The Eye

Read "Ziga Koritnik and The Eye" reviewed by John Kelman


In a time when cameras are more pervasive and invasive than they've ever been--with iPhones, iPads, Androids and low-price point-and-shoot devices lending the impression that everyone is a photographer--photo artists like Žiga Koritnik, paradoxically, stand out more than ever. Sure, anyone can take a picture, but to get to the heart of a subject and truly ...

8

Article: Book Excerpts

Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience

Read "Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience" reviewed by Bill Dal Cerro


The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...

4

Article: Album Review

Kirk Knuffke: Arms & Hands

Read "Arms & Hands" reviewed by Mark Corroto


Sometime, watch children as they eat the M&Ms. They will separate the colors into several piles--green, red, brown, yellow, orange, and blue. It's not that each color tastes different, except for maybe blue--I don't remember ever seeing that color before. Nonetheless, they go about savoring each color batch as an independent experience. Those little candies come ...

14

Article: Album Review

Merzbow/Mats Gustafsson/Balázs Pándi/Thurston Moore: Cuts of Guilt, Cuts Deeper

Read "Cuts of Guilt, Cuts Deeper" reviewed by Mark Corroto


The Cuts Quartet is a sort of assembled supergroup. But we are not talking Traveling Wilburys or Audioslave here. Groups where the sum is certainly less than the parts. No, the amalgam of Japanese noise artist Merzbow (aka Masami Akita), Swedish saxophonist Mats Gustafsson (Fire! Orchestra, The Thing), American guitarist Thurston Moore (Sonic Youth), and Hungarian ...


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