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Ingrid Laubrock Anti-House: Roulette of the Cradle
by John Sharpe
The fact that Ingrid Laubrock's Anti-house is an established working band is borne out by the degree of trust the German saxophonist places in her world class cast of collaborators. But even though she doesn't put in an appearance until part way through the second track, her imprint is all over the outfit's third release, which ...
Photographer Richard Corman Plans Roadtrip To Benefit Jazz Foundation Of America
Wendy Oxenhorn, Executive Director of Jazz Foundation of America, has launched an Indiegogo campaign. Oxenhorn plans to send photographer Richard Corman, whose photo work spans Bill Clinton to Madonna, and videographer Alan Gastelum across the United States to meet with and profile 50 jazz and blues greats. I cannot keep watching such great individuals pass with ...
Mario Pavone: Blue Dialect
by Mark Corroto
Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...
Anthony Braxton: Trio and Duet
by Stefano Merighi
Nuova edizione per Trio and Duet, splendido album di Anthony Braxton datato 1974, l'ultimo prima dell'importante contratto con la Arista e della improvvisa e sorprendente fama del compositore e sassofonista di Chicago. Fino a quel momento Braxton aveva lottato non poco per veder riconosciute le sue ambizioni di compositore, qui documentate dalla prima facciata del vecchio ...
Intervista a Beppe Scardino
by Angelo Leonardi
Sassofonista baritono, clarinettista basso e compositore quanto mai versatile, Beppe Scardino è da un decennio una figura centrale del jazz italiano più creativo. Lo abbiamo incontrato nei giorni dell'ultima edizione di Young Jazz, nel maggio 2015, e ci ha gentilmente concesso quest'intervista: ricorda alcune tappe centrali della sua carriera e ci parla dei progetti futuri.
Max Johnson, Kirk Knuffke, Ziv Ravitz: Something Familiar
by Karl Ackermann
New York native Max Johnson does not appear to require sleep. The bassist/composer, whose career spans the wide terrain from the Trans-Siberian Orchestra to Lollapalooza to Anthony Braxton consistently delivers fresh, adventurous, high-quality music against an ambitious output. With his now-regular working trio of Kirk Knuffke on cornet and drummer Ziv Ravitz, the group has released ...
Anthony Braxton's Sonic Genome at Turin's Jazz Festival 2015
by Francesco Martinelli
Egyptian Museum Turin Jazz Festival Turin, Italy May 28, 2015 Someone might ask: Why is an African-American saxophonist from Chicago performing inside the Egyptian Museum in Turin? Where is the connection between da jazz" and Ancient Egypt?" Sorry, but it isn't a legitimate question. If you still don't make the connection, ...
DOEK Festival Amsterdam 2015: Doek Meets Tri-Centric
by Frank Rubolino
Doek is a collective of stellar musicians based in the Amsterdam area dedicated to furthering the creative possibilities in improvised music. In June 2015, they broadened their horizons by inviting Anthony Braxton and his cadre of nine hand-picked younger USA talents to play with ten of their musicians for a week-long adventure in spontaneity using mixed ...
Mark Helias - Tony Malaby - Tom Rainey: The Signal Maker
by Stefano Merighi
Mark Helias è persona cordiale, generosa, empatica. Un carattere aperto, bilanciato tuttavia da un rigore assoluto che caratterizza la sua attività di bandleader e di contrabbassista. Ricordiamo che il suo curriculum è aureo avendo suonato con maestri come Ed Blackwell e Dewey Redman, Anthony Braxton e Ray Anderson, garantendo una versatilità ed una affidabilità assolute.
Anna Webber’s Percussive Mechanics: Refractions
by Mark Corroto
Credit the new generation of jazz musicians for neither following tradition, nor coloring within the lines. Their music is not created within the tradition." Unless, of course, that tradition includes maverick innovators like Anthony Braxton, Roscoe Mitchell, and John Zorn, players that, at times, have been given the label of non-jazz. This new crop of players ...



