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Jazz, Gnu and New: ECM Reissues To Excite Vinyl Fans
by Joshua Weiner
ECM's “Luminessence" series pays tribute to the impressive legacy of Manfred Eicher's label, founded in Germany in 1969. Several of its most historic and beloved releases are being reissued on audiophile vinyl cut from the original analog tapes (or, in the case of more recent albums, from high-resolution digital masters) and presented in heavy gatefold sleeves ...
Bley School: Where?
by John Sharpe
Punningly recalling beloved British children's TV programme Play School, the name Bley School neatly encapsulates what is afoot on this album, representing an open-minded and irreverent fondness for tunes, especially those associated with the groundbreaking Canadian pianist Paul Bley. Responsible for this is the threesome of pianist Pat Thomas, bassist Dominic Lash and drummer Tony Orrell. ...
Anett Tamm: a unique voice from the Baltics
by Anthony Shaw
Despite her relative youth, Anett Tamm is not a new voice in her mother country, Estonia, and neither among jazz followers in Lithuania, Latvia, Germany, Greece, Finland and more. However this is a relatively select crowd, probably numbering in the hundreds, and with her taste in music veering wide of the mainstream, Anett Tamm is not ...
Paul Bley Trios: Play Annette Peacock Revisited
by Maurizio Comandini
Questi bellissimi quattordici brani sono stati registrati nel 1966 (i primi otto) e nel 1968 (i restanti sei). Tutti sono stati scritti da Annette Peacock e registrati dal trio di Paul Bley, assieme a brani di altri compositori, per poi essere pubblicati nei mesi successivi alla registrazione stessa. Questo eccellente CD della Ezz-Thetics estrae e raggruppa ...
Re-Convening The Convention: jazzahead's Bold Comeback Plan
by Josef Woodard
A delicate, operational balance between sophistication, jazz cultural advocacy and marketwise boosterism has been in place since the inception of the ambitious adventure known as jazzahead!. One can sense that balance in the convention/showcase festival's very branding, with its title stylized as in coolly lowercase composite word festooned with an emphatic exclamation point, and in the ...
Dave Bass: The Trio, Vol. 3
by Troy Dostert
For its third installment, pianist Dave Bass' regular working group has produced another worthwhile document drawing on Bass' many influences, and showing that he also has plenty of his own creativity to offer. Once again accompanied by bassist Kerry Kashiwagi and drummer Scott Gordon, and a few cameos from guitarist Barry Finnerty, the pianist proves his ...
Vossa Jazz Going Strong and Poetic at 50
by Josef Woodard
Vossa Jazz Voss, Norway March 31-April 2, 2023 Origin stories in the still-young-ish wild frontier of jazz festival culture can be fascinating case studies in feisty pioneer spirit. Take the Western Norwegian Vossa Jazz Festival, an important stop in the storied Norwegian festival circuit, which celebrated its ripe old 50th birthday this ...
Augusto Pirodda: The Monkey and The Monk
by Neri Pollastri
Pianista sardo da molti anni trasferitosi in Belgio, Augusto Pirodda è nel tempo stato autore, con formazioni diverse, di assai pregevoli lavori, l'ultimo dei quali è il singolare duetto con la cantante Emilia Vancini And If You Fall, You Fall. Qui lo troviamo alla guida di un settetto composto, accanto alla ritmica, da tre fiati e ...
Annette Peacock, Christina Galisatus, Paul Bley, Michael Wollny & New Releases
by Ludovico Granvassu
The spirit of the masters, the roots of each music tradition, are like ghosts that accompany a musician's creative process, with more or less awareness based on the musician's disposition. This is the premise directly explored by Michael Wollny in his latest album, and indirectly explored by every other musician featured on this show, which spotlights ...
Jeremy Siskind: Songs of Rebirth
by Jerome Wilson
In 2022, we are seeing a lot of musical projects born in some way from the coronavirus pandemic of 2020 and 2021. This song cycle by pianist Jeremy Siskind is concerned with some of the varied emotional responses people had to the upheavals of that period. Siskind wrote the material on this album for ...
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