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Article: Album Review

Donald Edwards: Evolution Of An Influenced Mind

Read "Evolution Of An Influenced Mind" reviewed by Andrew Luhn


In recent years, Donald Edwards has become a familiar name in the Criss Cross catalogue. His drumming can be heard on six previous Criss Cross releases, but on Evolution of an Influenced Mind, Edwards makes his debut as a leader. His sensitive and protean drumming has made him a first-call sideman in New York, but this ...

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Article: Extended Analysis

The Artistry of the Standard

Read "The Artistry of the Standard" reviewed by Andrew Luhn


On the homepage of Misha Tsiganov's website is a quote that reads “Falling in love with jazz is exactly like falling in love with a person... Except with jazz you never get over it..." This quote serves as an appropriate introduction for the Russian-born pianist's Criss Cross debut, The Artistry of the Standard. On this album ...

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Article: Album Review

Pedrito Martinez: The Pedrito Martinez Group

Read "The Pedrito Martinez Group" reviewed by Andrew Luhn


On the front cover of their debut album, The Pedrito Martinez group, declares their music to be “The Latin Jazz Revolution!" and revolutionary might just be the best way to describe the group's music. Pedrito Martinez is undeniably one of the most talented young musicians in Latin music today and has become one of the most ...

3

Article: Extended Analysis

John Escreet: Sabotage and Celebration

Read "John Escreet: Sabotage and Celebration" reviewed by Andrew Luhn


Since his move to New York in 2006, English-born pianist John Escreet has achieved widespread recognition for his adventurous compositions and his seemingly restless creativity. On Sabotage and Celebration, Escreet augments an already formidable quintet with strings, brass, guitar, and vocals, making it his most ambitious and creative work yet. Escreet composed most ...

5

Article: Extended Analysis

Philip Dizack: Single Soul

Read "Philip Dizack: Single Soul" reviewed by Andrew Luhn


Young trumpeter Philip Dizack is a new name on the Criss Cross record label but not a new name for those who closely follow the New York jazz scene. Since his arrival in New York, Dizack has been making waves and winning awards with his beautiful tone and dark intensity, both of which were on full ...

5

Article: Album Review

John Abercrombie Quartet: 39 Steps

Read "39 Steps" reviewed by Andrew Luhn


Guitarist John Abercrombie has had a long and successful association with ECM records and for his latest release, 39 Steps, he completes his quartet with a piano. Abercombie had success with this format in the 1970s with Richie Beirach, George Mraz, and Peter Donald, but in the past 10 years his ECM releases have been more ...

9

Article: Extended Analysis

Tonbruket: Nubium Swimtrip

Read "Tonbruket: Nubium Swimtrip" reviewed by Andrew Luhn


Tonbruket is a band that defies categorization. The Swedish band's name roughly translates into English as “Tone Workshop," and they describe their music as “sticking closely to the essence of a composition's tone, melody, and groove." Bassist Dan Berglund, formerly of the Esbjorn Svensson Trio, founded the group in 2009 with multi-instrumentalist, Johan Lindström, after the ...

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Article: Album Review

Dayna Stephens: I'll Take My Chances

Read "I'll Take My Chances" reviewed by Andrew Luhn


For his second Criss Cross release I'll Take My Chances, saxophonist Dayna Stephens has put together an impressive recital showing off his skill for composition, arranging, and improvisation. The ten tunes presented here are a nice mix of Stephens's originals, an Ellington classic, and original tunes from contemporary pianists Brad Mehldau and Aaron Parks. The tunes ...

7

Article: Extended Analysis

Luis Perdomo: Links

Read "Luis Perdomo: Links" reviewed by Andrew Luhn


It's traditional in almost all genres of music that the innovators are always given the most attention. This holds true in jazz as right now as artists like Robert Glasper, Rudresh Mahanthappa, and Darcy James Argue are praised for being bold innovators in the world of jazz. While innovation and boundary- pushing are necessary in the ...


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