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Henry Grimes, Paul Dunmall & Andrew Cyrille: The Profound Sound Trio at the Vortex, London
by John Sharpe
The Profound Sound Trio: Henry Grimes, Paul Dunmall & Andrew Cyrille The Vortex London, England November 23, 2009 A buzz of anticipation gripped a full house at the Vortex for the London debut of the Profound Sound Trio--a collective of British reedman Paul Dunmall and a heavyweight rhythm ...
32nd Cape May Jazz Festival: Tribute to the Count
by Tara Nurin
Cape May Jazz Festival: Tribute to the Legendary Count Basie Cape May, New Jersey November 6-9, 2009 There may have been two male performers headlining the 32nd Cape May Jazz Festival, but in truth it was the women and children who stole the show. The big draw, as advertised in ...
Matthew Halsall: Colour Yes
by Chris May
Just gorgeous. Manchester-based trumpeter Matthew Halsall's second album ploughs the same delicate, acoustic, modal jazz furrow as his debut, Sending My Love (Gondwana, 2008). The lineup of fellow Mancunians is much the same too, with flautist Roger Wickham replaced by harpist Rachael Gladwin on three of the six tracks. Just so there's no mistaking where Halsall ...
Joan A. Cararach: el 'maestro' de Barcelona
by Joao Moreira dos Santos
Fundado por Joan Roselló en 1966, el Festival de Jazz de Barcelona ha ido renovándose y evolucionando con múltiples avatares desde entonces, pero la edición de este año es verdaderamente especial. No sólo desafía la crisis económica, presentando más conciertos que nunca (60 en casi dos meses), sino que además, por primera vez, se clausura en ...
John Coltrane: Kulu Se Mama
by Chris May
A vibrant and accessible album from saxophonist John Coltrane's late-middle period, Kulu Se Mama has been only fitfully on catalogue since its original release in early 1967, and has tended to be overlooked in favor of near contemporaneous works like A Love Supreme (Impulse!, 1965) and Ascension (Impulse!, 1966), elements from both of which it reprises. ...
Horace Tapscott: The Dark Tree
by Chris May
The year of writing this review, 2019, is the thirtieth anniversary of the recording of The Dark Tree. It is also the twentieth anniversary of the passing of Horace Tapscott, a forgotten master of politically engaged African American spiritual jazz. The album, which is among Tapscott's finest, is crying out for a 2019 anniversary reissue. STOP ...
Steve Kuhn Trio w/ Joe Lovano: Mostly Coltrane
by Troy Collins
Mostly Coltrane is pianist Steve Kuhn's venerable ode to his onetime employer, John Coltrane, with whom he played for eight weeks in early 1960 at New York City's Jazz Gallery. Kuhn revisits those seminal days without ignoring Coltrane's later period advancements, extrapolating his controversial innovations with rare lyricism and tenderness--a uniquely beautiful tribute unencumbered by nostalgic ...
Trio 3 + Geri Allen: At This Time
by Chris May
The publicity surrounding the release of At This Time is making much of the addition of a pianist to Trio 3's saxophone, bass and drums line-up. Arguably, however, the inclusion of a keyboard, played by Geri Allen, isn't the album's most significant feature. True, during the course of the group's 23-year history, most of its work ...
Charlie Munro: Eastern Horizons
by Hrayr Attarian
The statement that jazz music has universal appeal is a well-worn cliché, but like most, a very true one. This is no more evident than in Eastern Horizons, a long out-of-print classic from Australian cellist and multi-reed player Charlie Munro, now available on CD. Recorded in 1967, it is considered to be a landmark of Australian ...
Saxophonist Ravi Coltrane Interviewed at AAJ
Saxophonist Ravi Coltrane, he of the inescapable surname, is continuing to grow both as a musician and a person. His playing these days contains more maturity; a sense of exploration, combined with a sureness of attack and a brawny sound. The growing musical proficiency is documented on Blending Times (Savoy Jazz, 2009). Coltrane and his working ...
