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Moss Project: What Do You See When You Close Your Eyes?
by Bruce Lindsay
As Bo Diddley so wisely stated, “You can't judge a book by looking at the cover." Moss Project's What Do You See When You Close Your Eyes? may look like a book, and a very beautiful one at that. It may feel like a book--it may even smell like a book. But it's a CD. Actually, ...
Johannesson, Schultz and Berglund, featuring Jacob Karlzon: Cause And Effect
by Chris Mosey
Events from a momentous three-year musical period greatly influenced this album: in 1967 the death of John Coltrane; the release, two years later, of In A Silent Way (Columbia, 1969) by his former boss, trumpeter Miles Davis; and the demise of rock icon Jimi Hendrix in 1970. The line-up is Max Schultz, one ...
Alberto Mizrahi: Matzah to Menorah: A Holiday Jazz Celebration
by Hrayr Attarian
There is a well-established legacy of fusing the sacred with the secular in jazz. Pianist Duke Ellington's Concert of Sacred Music (RCA, 1966) is, perhaps, the most ceremonial example of this but there is a myriad of other recordings. Guitarist Grant Green's gospel-inspired Feelin' the Spirit (Blue Note, 1962), pianist/harpist Alice Coltrane's exploration of Hinduism and ...
Davey Payne: Ready To Play
by Sammy Stein
Davey Payne is known best for the time when he was saxophonist with British group, The Blockheads. His solo on the 1978 number 1 hit, “Hit Me With Your Rhythm Stick" was the first time a double sax solo had appeared on a hit record. Before he joined forces with Dury, who fronted The ...
Huntington Ashram Monastery / World Galaxy
Label: Impulse! Records
Released: 2012
Track listing: Huntington Ashram Monastery: Huntington Ashram Monastery; Turiya;
Parmahansa Lake; Via Sivanandager; IHS; Jaya Jaya Rama; World
Galaxy: My Favorite Things; Galaxy Around Olodumare; Galaxy in Turiya; Galaxy
in Satchidananda; A Love Supreme.
Stuart McCallum: Distilled Live
by Chris May
Emerging from the interzone inhabited by post-Pat Metheny guitar jazz, electronica, minimalism and ambient, Manchester guitarist Stuart McCallum's music combines the lush, the layered and the looped with real-time emotional engagement and vigor. Made with a large ensemble including acoustic string and woodwind sections alongside the electronica, Distilled Live sounds rather like an orchestrated version of ...
Alice Coltrane: Huntington Ashram Monastery / World Galaxy
by Chris M. Slawecki
Composer, pianist, keyboard player, harpist and bandleader Alice (McLeod) Coltrane married John Coltrane in 1965. She played in her husband's band until his passing in 1967 but his influence remained strong throughout her music thereafter. Few of her albums reflect this influence more strongly than Huntington Ashram Monastery, recorded in 1969, and World Galaxy, recorded in ...
Matthew Halsall: Fletcher Moss Park
by Bruce Lindsay
In the small market town of Didsbury, a few miles south of the city of Manchester, lies Fletcher Moss Park. It's a little oasis of exotic greenery that contrasts with the history of the area as a heartland of the Industrial Revolution: it's also a place where trumpeter and composer Matthew Halsall finds comfort and relaxation. ...
Michael Carvin: The Making of a Master
by Bob Kenselaar
With a career that spans half a century, master drummer Michael Carvin has plenty to look back on, although he's mostly a forward-looking man. To say he's been prolific puts it mildly. By his own count, he's made some 250 recordings and toured the world five times. He has worked with such major jazz luminaries as ...
Carol Robbins: Moraga
by Hrayr Attarian
The harp is certainly rare in jazz and so its role in a traditional combo is not well defined. Alice Coltrane, for example used it as a supplement to her keyboards, while Adele Girard, played it like a boogie woogie piano. Others like Janet Putnam and Betty Glamann were relegated to a rhythm guitar role in ...
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