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Hard Bop: An Alternative Top Ten
by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
Chip Wickham: Blue To Red
by Bruce Lindsay
It's not always easy to feel uplifted and optimistic these days, when reasons to be downhearted seem to overwhelm the reasons to be cheerful. When an album's title refers to a planet's descent from life-giving blue to the deadness of red (Mars, in this context, but British flautist Chris Wickham fears that Earth may be heading ...
Chip Wickham: Blue To Red
by Chris May
The marketing thrust accompanying Chip Wickham's third album emphasises an affinity between the disc and the late 1960s / early 1970s work of Yusef Lateef and Alice Coltrane. Certainly, Blue To Red ticks two boxes: Wickham puts aside his saxophone to play only flute and alto flute, whose seraphic tones were favoured by Lateef and Coltrane; ...
Strata-East: Seizing the Time
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...
Roberto Magris: Suite!
by Dan McClenaghan
Italian pianist Roberto Magris began his jazz career in the late 1970s, releasing a handful of excellent albums on Soul Note Records. He picked up steam in his collaboration with Kansas City's JMood Records in 2008 on Kansas City Outbound. As a pianist and a bandleader, Magris seems to have soaked up numerous influences--mid-sixties Blue Note ...
Lakecia Benjamin: Pursuance: The Coltranes
by Mike Jurkovic
Maybe it's the nuances she's picked up sharing stages with Rashied Ali, Stevie Wonder and Alicia Keys, or a deep intuition not only into jazz, but also into James Brown and Sly and the Family Stone. Perhaps it's her Washington Heights sidewalk sense that, no matter the game, you play and play alike. Or that you ...
Pharoah Sanders: Live In Paris (1975)
by Chris May
Pharoah Sanders' catalogue of newly-discovered album releases is expanding as fast as those of his fellow travellers Alice Coltrane and John Coltrane. Which is great, but... most of the albums were recorded live, sometimes with poor audio capture, and do not always find the musicians at their best. You have to pick and choose between them. ...
Brilliant Corners 2020
by Ian Patterson
Brilliant Corners 2020 Various Venues Belfast, N. Ireland February 27 to March 7, 2020 Maybe it's global warming, for just as the first bloom of spring in these strange times appears in February, so too, Brilliant Corners starts ever earlier. From its first, modest edition over three days ...
Ted Poor: You Already Know
by Chris May
Breaking news 3/23/20: Impulse! is getting its mojo back. Showing definite signs of, anyway... Since its glory days in the 1960s and 1970s, Impulse! has been little more than a logo wheeled out by its parent company, Universal Music, to lend credibility to unrelated one-off projects. Until very recently, the only newly recorded ...
Shabaka & the Ancestors: We Are Sent Here By History
by Chris May
Reed player Shabaka Hutchings became the first British musician to sign to the iconic (for once the word is justified) Impulse! label when his band Sons of Kemet did so in 2018. It was a deal for which his management could rightly be proud. It was also an affirmation which Hutchings felt deeply, for in the ...
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