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Article: Album Review

Víkingur Ólafsson: J.S. Bach Works & Reworks

Read "J.S. Bach Works & Reworks" reviewed by C. Michael Bailey


Icelandic pianist Víkingur Ólafsson has found himself soaked to the skin in accolades in 2019. It all began auspiciously enough with the pianist with Ólafsson beginning piano early, taught by his mother, a music teacher. Ólafsson eventually attended and matriculated from the Juilliard School in New York, with a Bachelor's and Master's degrees directed by Jerome ...

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Article: Album Review

Carsten Dahl: Painting Music

Read "Painting Music" reviewed by Chris Mosey


Danish pianist Carsten Dahl uses the liner notes for Painting Music to try to explain the process of creation. “The universe has a sound and rhythm," he says. “Everything moves forward, either powerful and explosive or modest and like slow shadows in a landscape." The words accompany a picture of Dahl with paint-stained ...

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Article: Album Review

Sparky Parker: In the Dark

Read "In the Dark" reviewed by Jim Trageser


Crafting the perfect riff has been the goal of every blues and rock guitarist since Jimi Hendrix first began channeling Albert King. Welding a memorable theme to jaw-dropping technique is the surest way for a budding guitarist to elevate his or her reputation. Houston, Texas' Sparky Parker's debut opens with one of those defining ...

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Article: Album Review

Carsten Rubeling: Volk // People

Read "Volk // People" reviewed by John Bricker


It is not often that production on an explicitly jazz release blends synths reminiscent of '90s video-game sound effects with drunken hip-hop rhythms. Despite a few rough spots, Carsten Rubeling's Volk//People deserves a healthy dose of praise for that. The Canadian trombonist's debut album on lo-fi hip-hop and ambient-music label Inner Ocean Records strikes ...

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Article: Album Review

Ryan Porter: Force For Good

Read "Force For Good" reviewed by Chris May


The Los Angeles jazz scene clustered around the community of session musicians known as the West Coast Get Down (WCGD), and its most prominent member (and now ex-session musician), Kamasi Washington, is a US equivalent of London's underground jazz scene. Both exist in parallel universes to the jazz establishment, both are culturally inclusive though peopled mainly ...

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Article: Album Review

Nils Wogram Nostalgia: Things We Like to Hear

Read "Things We Like to Hear" reviewed by Don Phipps


On Things We Like To Hear, trombonist Nils Wogram and his bassless trio Nostalgia explore a kind of Miles Davis cool to hot fusion. Wogram provides an expressive center to the outing, his playing running from bluesy drawls to punchy explosiveness while focused on the themes and range of rhythms found in the compositions.

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Article: Album Review

The Doggy Cats: Daikon Pizza

Read "Daikon Pizza" reviewed by Mike Jurkovic


Daikon Pizza from pianist Tetsuro Hoshi and The Doggy Cats may never be anyone's idea of essential listening or on anyone's best-of list of desert island must-haves. It might not even sell north, south, east or west of Sunny's Bar, the band's main performance space, in Red Hook, Brooklyn. For jazz-phobic pet lovers and ...

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Article: Album Review

Jamey Arent: The Back Burner

Read "The Back Burner" reviewed by Paul Naser


The name of Los Angeles based guitarist/singer/songwriter Jamey Arent's debut EP may be inspired by his years a sideman supporting the likes of Frankie Valli and Matthew Morrison and contributing to network television and Netflix soundtracks -or maybe it's in reference to burning playing atop laid back grooves. In any case, don't put The Back Burner ...

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Article: Album Review

Nick Fraser - Kris Davis - Tony Malaby (with Ingrid Laubrock & Lina Allemano): Zoning

Read "Zoning" reviewed by Troy Dostert


Nate Cross' Astral Spirits imprint has steadily become one of the go-to options for fans of adventurous music. With over a hundred releases in its five-year existence, including well over thirty in 2019 alone, the label has maintained an impressive commitment to both quality and quantity. However, an output this extensive can result in a few ...

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Article: Album Review

Ezra Weiss Big Band: We Limit Not The Truth of God

Read "We Limit Not The Truth of God" reviewed by Jerome Wilson


In 2015 Ezra Weiss began to compose a suite that he intended would be a cautiously optimistic message to his young children about the world they were living in and the challenges and promise they would face as they grew up. By the time this music was completed and recorded in December 2018, its mood and ...


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