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Evan Parker / Barry Guy / Paul Lytton: Concert In Vilnius
by John Sharpe
In a world riven by climate chaos and the attack on truth, on both sides of the Atlantic, it is reassuring that some things remain constant. At this stage of an existence dating back to the early 80s, the superlative British trio of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton plays only a ...
Thomas Marriott: Trumpet Ship
by Dan McClenaghan
Spontaneity rules. Seattle-based trumpeter Thomas Marriott had a day off from touring with his quartet, so he decided to go into the studio and record an album: Trumpet Ship. His twelfth outing for Origin Records—all of them reaching for the stars, all of them getting there—this quartet album lines up after his stop-you-in-your-tracks gorgeous Romance Language ...
Jim Beard / Jon Herington: Chunks And Chairknobs
by Mike Jacobs
The seeds for Chunks and Chairknobs were planted for guitarist Jon Herington and pianist Jim Beard a few years prior to its recording, while they were on a break from their touring duties with Steely Dan. The two took the opportunity to do something they had never done over the course of their 40 plus-year friendship—work ...
Nina Simone: Fodder On My Wings
by Karl Ackermann
Nina Simone found success from the beginning of her recording career in 1959. With the release of Nina Simone at Town Hall (Colpix), her third album that year, she became a fixture on the downtown New York club scene. Her life and career took a different turn not long afterward. Simone's activism in the Civil Rights ...
The New York All-Stars: Live Encounter
by Chris May
Some things live forever and take-no-quarter hard bop is one of them... If you time travelled back to New York City circa 1958 and wandered into the Half Note or Five Spot, Live Encounter contains the sort of music you might have heard. Tough, emotionally-rich jazz with no-fuss head arrangements, extrovert horn solos and a propulsive ...
Wolfgang Muthspiel: Angular Blues
by Dan Bilawsky
Guitarist Wolfgang Muthspiel's fourth leader date for ECM Records--and his second trio outing for that storied imprint, following Driftwood (ECM Records, 2014)--is a marvel of ingenious interplay, musical sensitivity and absolute sincerity. Joining forces with drummer Brian Blade, a longtime band mate, and bassist Scott Colley, a playing partner from the '90s, Muthspiel delves into the ...
Markus Reuter: Truce
by Mark Sullivan
German touch-guitarist Markus Reuter has been heard in a variety of contexts: with Stick Men, providing bass, lead and soundscaping as on Panamerica (MoonJune Records, 2019); and with guitarist Mark Wingfield on The Stone House (MoonJune Records, 2017) and Lighthouse (MoonJune Records, 2017). His eight-string touch guitar covers both bass and guitar ranges, often making it ...
Ferenc Nemeth: Freedom
by Friedrich Kunzmann
Like a playground for improvisation, Hungarian drummer Ferenc Nemeth's newest recording abounds with joy and, in accord with the album title, a strong sense of Freedom. Not only does Freedom continue the bassless concept of his 2012 release Triumph (Dreamers Collective), but the New York-based percussionist allows himself to tap his intuition, often leading to simpler ...
Juan Vinuesa Jazz Quartet: Blue Shots From Chicago
by Mark Corroto
Chicago, a city of big shoulders, continues to present proof of poet Carl Sandburg's words from the poem of the same name... “Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning." Why is this? Because Chicago in 2020 remains the same as evoked in ...
Svetlost: Jazz (to the working class)
by Vitalijus Gailius
It seems that Macedonia might be fertile ground for developing a jazz/improvised music scene. One of the best Macedonian groups is the trio Svetlost. After its debut album was featured in Bandcamp's selection for best jazz records of 2019, the trio came to the attention of the international community. Originally, Svetlost was a trio, but the ...
