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Yotam Silberstein: Standards Vol. 2
by Pierre Giroux
On Standards Vol. 2 , guitarist Yotam Silberstein revisits the tradition with both reverence and invention, delivering a program of what he calls “lesser gems" -standards that have slipped through the cracks of overexposure yet hold depths still to be mined. With a lineup featuring bassist John Patitucci, drummer Billy Hart, and special guest tenor saxophonist ...
Cecil Taylor: Live at Fat Tuesday's February 10, 1980
by Giuseppe Segala
Nella collana First Visit di ezz-thetics, dedicata a registrazioni storiche rimaste inedite fino a ora, l'etichetta svizzera Hat Hut Records pubblica il terzo CD di Live at Fat Tuesday's, completando così la documentazione degli straordinari concerti che videro impegnato il sestetto Unit di Cecil Taylor a New York dall'8 al 10 febbraio 1980. Come ...
Ryan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i ...
Anthony Bruno: Blue Velvet
by Dan McClenaghan
Chicago-based saxophonist Anthony Bruno wraps up a terrific triptych of album releases with 2025's Blue Velvet. The journey began with the release of his album Anthony Bruno (2023), followed by Cefalu (2024). All of these are on his Anthony Bruno Music label. Bruno counts Sonny Rollins as a major influence. He says as much in the ...
Art Pepper: An Afternoon in Norway: The Kongsberg Concert
by Jack Kenny
This album is not just music; it is a glimpse into one of the most compelling stories in Art Pepper's musical history from the impossibly handsome alto saxophonist with Stan Kenton's orchestra to a drug-fueled inmate in San Quentin, culminating in a glorious renaissance. The sheer logistics surrounding this album are impressive. Consider this ...
Duke Ellington's Concert of Sacred Music
by Chuck Lenatti
In 1964, Dean D.J. Bartlett and the Reverend John S. Yaryan invited Duke Ellington and his orchestra to present a concert to consecrate the renovated Grace Cathedral on Nob Hill in San Francisco during a year-long festival of Grace. At first, Duke demurred. In his autobiography, Music Is My Mistress (Da Capo, 1976), Ellington ...
James Davis' Beveled: Arc and Edge
by Mark Corroto
Trumpeter James Davis' sextet is aptly named Beveled--a word that means transforming a sharp, square edge into something smoother, more refined. That concept of reshaping and softening defines both the ensemble's instrumentation and its sonic character. Davis sets the tone by trading his bright trumpet for the warmer, more introspective voice of the flugelhorn. He deepens ...
Taj Mahal & Keb' Mo': Room On The Porch
by Frank Housh
In 2017 blues legend Taj Mahal and Keb' Mo' recorded TajMo, (Concord Records), which won the Grammy for Best Contemporary Blues Album. Eight years later, the two follow up with Room On The Porch, released May 23, 2025, also on Concord Records. Its ten tracks feel like a cool dive into a swimming hole, long forgotten ...
George Colligan: Live At The Jazz Standard
by Carl Medsker
During its relatively brief life, the Jazz Standard hosted many wonderful evenings of creative music. Artists performing in the basement beneath the barbecue restaurant ranged from Houston Person to Roy Haynes to Wadada Leo Smith. The Mingus Big Band held forth on most Monday evenings. Sadly, the club succumbed in 2021 to the economic pain caused ...
James Davis' Beveled: Arc and Edge
by Jack Bowers
Beveled, according to Webster's, translates roughly to “slanted" or “grooved." On Arc and Edge, flugelhornist James Davis' Chicago-based sextet clearly has its own slant on contemporary post-bop jazz wherein the groove ranges from typically improvised passages to cutting-edge motifs and classical chamber music, using a second flugelhorn, two bass clarinets and rhythm to flesh out the ...
