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Simon Moullier: Spirit Song
by Geno Thackara
Simon Moullier sounds like a pretty old soul for someone only releasing his debut. At the same time, even more impressively, it is a relentlessly playful one, with an equal love for the old and new. One might think an instrument as established as the vibraphone only has so much potential to be taken to new ...
Sonar with David Torn: Tranceportation (Volume 2)
by Claudio Bonomi
L'avvolgente e ipnotica spirale della ritmica di Triskaidekaphilia" cattura subito l'orecchio più distratto e trasporta l'ascoltatore nel mondo sotterraneo e potente dei Sonar, quartetto svizzero capitanato da Stephan Thelen che qui, per la terza volta, unisce le proprie forze insieme a quelle di David Torn, improvvisatore e chitarrista sperimentale di fama internazionale il cui sodalizio con ...
Doxas Brothers: The Circle
by Dan Bilawsky
Family figures squarely into The Circle. For tenor saxophonist Chet Doxas and drummer Jim Doxas, brotherhood is both a literal and figurative tie. These siblings have been playing music together in various configurations from their earliest days, so their bonds truly extend from blood to bandstand. And with their father manning the board for this quartet ...
The Nels Cline Singers: Share The Wealth
by Mike Jurkovic
A work of pummeling beauty, exhaustion and exhilaration await at the end of genre rogue guitarist Nels Cline's upheaval Share the Wealth, eighty minutes of magical, maniacal, free jam composition that, in perhaps a few more years down the line--if the line makes it past Election Day--we'll argue stands right up there with such and such ...
Trio Grande: Trio Grande
by Mike Jurkovic
It's not easy watching all the divergent and elusive pieces come together on Trio Grande, saxophonist Will Vinson, guitarist Gilad Hekselman and drummer/percussionist Antonio Sánchez's first outing, but then that's not their desire at all. Their work is to challenge the expectations and inclinations that dull and lull us into complacency, into wholly unimaginative realms and ...
Tori Handsley: As We Stand
by Chris May
Harpist Tori Handsley is a prominent sideperson on London's alternative jazz scene.She has worked with reed player Shabaka Hutchings, tenor saxophonist Nubya Garcia and keyboard player Nikki Yeoh among other luminaries. She is perhaps best known for her contributions to two albums by Binker and Moses, the ferocious semi-free duo led by tenor saxophonist Binker Golding ...
Charles McPherson: Jazz Dance Suites
by Jerome Wilson
Alto saxophonist Charles McPherson has a reputation as one of the last true followers of the bebop tradition but this release shows that his talents stretch beyond that. The music consists of scores he wrote for the San Diego Ballet where his daughter Camille is a solo dancer. It encompasses two full suites and an excerpt ...
Marco Rottoli: New Year's Eve
by Mike Jurkovic
Nothing earth shattering, surely, but a very fine listen nonetheless. New Year's Eve, young Italian bassist and composer Marco Rottoli's debut, serves two truly noteworthy goals: First, as a promising warmup to more adventurous things from the trio itself in the future and, secondly, as a good opening ensemble readying you for the evening's anticipated headliner. ...
Nick Storring: My Magic Dreams Have Lost Their Spell
by Chris May
Now here is a strange one. My Magic Dreams Have Lost Their Spell was conceived and composed by Toronto-based multi-instrumentalist Nick Storring as a homage to Roberta Flack. But it contains none of her tunes, not even snatches of them. Instead Storring, a sonic sorcerer who is also a fully paid-up Flack connoisseur, has taken phrases ...
Josephine Davies: How Can We Wake?
by Friedrich Kunzmann
Straight out of Europe's hippest jazz-scene, London-based saxophonist Josephine Davie's third effort with her trio, Satori, offers a collage of melodic meditations that simultaneously defy and conform to their rhythmic and harmonic frames. As All About Jazz's Chris May very fittingly puts it in an extensive conversation with the saxophonist, unlike many of her ...

