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Jazz at Lincoln Center Orchestra Septet with Wynton Marsalis: The Democracy! Suite
by Paul Rauch
There is an interesting generational divide in perception when it comes to the music of Wynton Marsalis. While many hail his work at Lincoln Center as elevating jazz to its rightful place among the fine arts, others lament the separation from his iconic quartet and quintet work in the 1980's as some sort of jazz treason. ...
Sam Rivers Quartet: Braids
by Mario Calvitti
Nonostante sia stato indiscutibilmente uno dei massimi esponenti della musica afroamericana, il polistrumentista Sam Rivers non ha mai pienamente beneficiato del riconoscimento dovutogli per gli enormi meriti artistici; non quando era in vita, e non ancora oggi, a dieci anni dalla scomparsa. La sua discografia da leader è cominciata molto tardi, quando Rivers era ...
Benoit Delbecq: The Weight of Light
by Neri Pollastri
Sperimentatore sulla tastiera e sul pentagramma, in equilibro tra il jazz e la contemporanea, il francese Benoit Delbecq è un vero maestro del pianoforte preparato, che ha più volte proposto sia entro gruppi di varie dimensioni, sia in solo, come accade in questo The Weight of Light, appena uscito per la Pyroclastic Records di Kris Davis. ...
Meroli: Notturni
by Chris May
Jazz has a great track record when it comes to film scores. Standouts include Miles Davis' soundtrack for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959) and Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962). There are dozens more, particularly from the 1950s and 1960s, before rock became the ...
Sooäär-Yaralyan-Ounaskari: Goodbye July
by Ian Patterson
Estonian guitarist Jaak Sooäär, Finnish drummer Markku Ounaskari and Armenian bassist Ara Yaralyan first joined ranks in 2016, though all three have been active across the Baltic jazz scenes since the 1990s. Sooäär has collaborated with veterans such as Anders Jormin, Han Bennink and Vladimir Tarasov, Ounaskari with Arve Henriksen and Tore Brunborg, while Yaralyan has ...
The Len Pierro Jazz Orchestra: The Third Quarter
by Edward Blanco
Flourtown, PA native Len Pierro unveils one monster big band album that will be reverberating well beyond the boundaries of Pennsylvania and from radio studios throughout the jazz landscape for quite a long time. The Third Quarter is The Len Pierro Jazz Orchestra's recent offering and what an offering of fresh original compositions and re-imagined jazz ...
Veronica Swift: This Bitter Earth
by C. Michael Bailey
It seems jazz vocalist Veronica Swift has been in the music business all of her life, and for good reason: There is the well documented fact that she is the daughter of jazz pianist Hod O'Brien and singer Stephanie Nakasian, and she debuted on record at nine years old with Veronica's House of Jazz (SNOB, 2004). ...
Shinya Fukumori: Another Story
by Friedrich Kunzmann
When joining the ranks of ECM as a drummer, you can be sure to be subject of comparisons to the many drum legends who have extensive recording histories with the label— late veterans Paul Motian or Jon Christensen. Much like the two multiple-eras-defining pioneers, Japanese drummer Shinya Fukumori's approach to the role of his instrument, as ...
Charlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming ...
Ruf Der Heimat: Secrets
by John Sharpe
Originally an outfit exploring perspectives on free jazz from either side of the Berlin Wall, Ruf Der Heimat continues to thrive on Secrets, only its fourth release over the near three decades since its 1992 birth. Leader and reedman Thomas Borgmann remains at the helm beside his longtime accomplice drummer Willi Kellers but, in the meantime, ...
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