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Yuma Uesaka and Marilyn Crispell: Streams
by John Sharpe
Reedman Yuma Uesaka enlists storied pianist Marilyn Crispell to realize a splendid program of his charts on Streams. Uesaka, who was born in London and spent his early childhood in Japan, before growing up in Michigan, is making a name for himself as part of a rising generation of New York-based improvisers. While not his leadership ...
Giancarlo Schiaffini, Sergio Armaroli: Deconstructing Monk in Africa
by Maurizio Zerbo
Non è facile oggi circumnavigare una personalità complessa come quella di Thelonious Monk, senza lasciarsi intrappolare dai luoghi comuni. Africa e free jazz europeo sono le linee guida di questo capolavoro discografico, che proietta ancora una volta Giancarlo Schiaffini e Sergio Armaroli ai vertici del panorama jazzistico mondiale. Attingendo a sperimentazioni elettroniche ...
Charles Mingus: @ Bremen 1964 & 1975
by Stefano Merighi
"In questo paese--sentenziò Charles Mingus--percepisco ancora intatto il puzzo delle camere a gas e dei campi di concentramento. Ma non fatevi troppi problemi: gli Stati Uniti d'America sono anch'essi un grande campo di concentramento." Il paese era la Germania Ovest, la città era Brema, l'anno il 1964. La dichiarazione è riportata da ...
Dan McCarthy: A Place Where We Once Lived
by Friedrich Kunzmann
In light of Dan McCarthy's stunning new effort, the vibraphonist's last two outings, Abstract City (Origin Records, 2019) and Epoch (Origin Records, 2019), can be regarded as statements of intent. Both more than noteworthy musical offerings at opposite ends of the jazz spectrum (discussed on All About Jazz here ), the two albums give followers a ...
Kevin Sun: (Un)seaworthy
by Jerome Wilson
Kevin Sun brings a fresh energy and and sense of adventure to the saxophone trio format on this CD. In the company of bassist Walter Stinson and drummer Matt Honor, he plays around with tone, rhythm and tempo, creating exciting music which blends the traditional and the experimental. Sun's sax tone on “Seaworthy (Unseaworthy)" ...
Various Artists: The Harry Smith B-Sides
by Jakob Baekgaard
An anthology of music is a mirror of the world. It says something about a specific time, a place, a genre, a label, or the life story of an artist. But in a few rare cases, an anthology can also help shape a musical landscape. In that sense, it becomes a musical map that not only ...
Benoit Delbecq: The Weight of Light
by John Sharpe
French pianist Benoit Delbecq has become one of the leading exponents of the John Cage-inspired school of prepared piano in the jazz and improvised music arena. So much so that Canadian pianist Kris Davis received a grant to study extended piano techniques with him early in her career, and has since performed with him in duet. ...
Ira B. Liss Big Band Jazz Machine: Mazel Tov Kocktail!
by Jack Bowers
Any big band that has been alive and kicking for forty-two years surely deserves a Mazel Tov or two. Ira B. Liss formed his San Diego-based Big Band Jazz Machine in 1979, and it has been standing tall on the local scene ever since. Although the band puts its best foot forward at the outset on ...
U.S.E. Trio: Twilight
by Mike Jurkovic
Stealing conspiratorially under your feet, the dark balladry of Twilight speaks modal, stark, humorous. Then perhaps it recoils and rebuilds. Shifts shapes and defines. Says yes when it means no and vice versa. So, at the behest of their own slippery, interior curvature, U.S.E. Trio, saxophonist Andrew Urbina, drummer Matt Scaranoand bassist/leader Sandy Eldred, follow-up the ...
Out To Dinner: Play On
by Kyle Simpler
Record producers don't always get the same amount of attention as the musicians featured on an album, but their role and influence is vital in the recording process. Take The Beatles' producer, George Martin, for example. His involvement brought the music to a new level. This is also the case with Blue Note co-founder Alfred Lion, ...
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