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Dave Liebman: Earth
by Angelo Leonardi
Dopo Water (1997), Air (2006) e Fire (2016), Dave Liebman completa il ventennale progetto volto a rappresentare in musica i quattro elementi naturali che danno origine alla materia, il cui riferimento è comune alle antiche cosmogonie occidentali e orientali. Come alcuni ricorderanno al primo disco parteciparono Pat Metheny, Billy Hart e Cecil McBee; ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Antonio Tosques and Multi-Form Band: Touch Me
by Nicholas F. Mondello
With the possible exception of the upright bass (where it's more of a pas a deux), a guitar allows its player to bring the instrument intimately close to their heart and inner voice. The fingered manipulation of strings can trigger caresses, teases, intensities and poetry. Played well, as it is here on this excellent recording from ...
The Auanders: Text(us)
by Neri Pollastri
Text(us) è un lavoro collettivo di alcuni tra i musicisti dell'ampio roster dell'etichetta Auand di Marco Valente, molti dei quali tra le migliori individualità del jazz italiano. L'album arriva a sette anni da Live in Pisa, firmato sempre da The Auanders, all'epoca però largamente diverso da quelli che confezionano questo nuovo lavoro, che vede in scena ...
Sean Michael Giddings: Red Willow
by Dan McClenaghan
Keyboardist Sean Michael Giddings cites pianist Vince Guaraldi, the composer of the Charles Schultz Peanuts cartoon soundtracks (among other things), as one of his influences. Guaraldi is joined in that “sphere of influence" club by the usual suspects—Brad Mehldau, Bill Evans, Keith Jarrett--who all play a part in Giddings' sound. But Guaraldi's spirit—the accessible lyricism, the ...
Leni Stern: Dance
by Jim Worsley
Compelling is the word. If you are in search of a one word description of Leni Stern's new record, it is indeed the word. Then again, that aptly applies to her body of work over the past thirty-five years. Dance is as much a metaphor as it is a movement. Life, in its never ending struggle ...
Judy Wexler: Back to the Garden
by Richard J Salvucci
Man, if you can pick a tougher project to sell to an aging Boomer than Judy Wexler's Back to the Garden, then you will have to say what it might be. For a lot of the Swinging and Breathing Elderly, this music is intensely personal. Not just where were you, or who were you with? But ...
Fabia Mantwill: Em.Perience
by Angelo Leonardi
«Non mi interessa in quale stile o genere possa essere classificata questa musica—dice Fabia Mantwill—che sia jazz, classica, folk, canzone d'autore, soul. Penso che i confini stiano diventando sempre più sfocati». Il debutto discografico della giovane bandleader, sassofonista e cantante tedesca contiene elementi di tutti quei generi musicali e non ha alcun senso cercare etichette.
The Saskatchewan All Star Big Band: Saskatchewan Suite
by Jack Bowers
On Saskatchewan Suite, composer/arranger Fred Stride and the twenty-member Saskatchewan All Star Big Band have combined to paint a luminous and colorful portrait of that western Canadian province, canvassing 150 years of its history in eight picturesque movements that describe in musical terms the land itself, its indigenous peoples, newcomers from Europe and elsewhere, its recognition ...
Larry Coryell: Larry Coryell's Last Swing With Ireland
by Ian Patterson
In his latter life, Larry Coryell was a frequent visitor to Ireland, where he would invariably hitch up with bassist David Redmond and drummer Kevin Brady, the esteemed rhythm team for the likes of Tommy Halferty, Bill Carrothers, Norma Winstone and Ian Shaw. In May 2016, during Coryell's last trip to Ireland, he entered Dublin's Hellfire ...
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