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Alon Farber Hagiga: Reflecting on Freedom
by Jack Bowers
Israeli saxophonist Alon Farber's Hagiga (in Yiddish, “celebration") is exactly that--a warm tribute to contemporary jazz from the Middle East to South America and beyond, ably performed on the group's fourth album, Reflecting on Freedom, by half a dozen well-schooled Israeli musicians and--on several of the album's nine tracks--special guest percussionist Rony Iwyrn and vocalist Sarai ...
Graham Dechter: Major Influence
by Jack Bowers
If you're a jazz guitarist who plans to record a quartet CD, you obviously want the most able and supportive rhythm section you can possibly find to lend its weight. For Los Angeles-based Graham Dechter, assembling such a peerless trio to enhance Major Influence, his third album as leader and first in nearly a decade, posed ...
Andy Farber and His Orchestra: Early Blue Evening
by Jack Bowers
Saxophonist Andy Farber's New York-based orchestra came together and cut its teeth as the onstage band for three hundred performances of After Midnight, a Broadway revue that paid tribute to Jazz Age nightclub luminaries from Duke Ellington, Jimmie Lunceford and Count Basie to Harold Arlen, Dorothy Fields and Jimmy McHugh. As one might presume from the ...
Run Logan Run: For A Brief Moment We Could Smell The Flowers
by Chris May
Tenor saxophone and drums albums have been at the heart of London's alternative jazz scene since its first stirrings around 2015. That year, saxophonist Binker Golding and drummer Moses Boyd, then members of singer Zara McFarlane's backing band, started tossing riffs and beats back and forth to each other during pre-gig soundchecks. In ...
Charu Suri: The Book of Ragas Volume II
by Dan McClenaghan
New sounds in jazz often come from countries other than America, where the music was born. Antonio Carlos Jobim and Joao Gilberto introduced the lilting rhythms of Brazil; the prolific pianist/bandleader Satoko Fujii brings an avant-Japanese frame of mind to the music, and .numerous Scandinavian artists--Jan Garbarek, Trygve Seim, Tord Gustavsen and the Marcin Wasilewski Trio--have ...
Arthur White and Merge: Unify
by Jim Worsley
A man of many hats, tenor saxophonist, composer, arranger and educator Arthur White needed a sombrero gigante to both shade the bright southern California sunshine and to embrace the enormity of his latest big band project. Students, faculty and graduates from Cal Poly accounted for the largest portion of this thirty piece band, with faculty members ...
Satoko Fujii: Piano Music
by Karl Ackermann
The solo piano works of Satoko Fujii often summon an ethereal ensemble of sounds. Prepared, or in its natural state, her piano speaks as a proxy for the always searching composer/improviser. Fujii's recordings are an ongoing stream of themes based on the here and now for an artist who does not fit neatly into any category. ...
Barry Guy: Irvin's Comet
by John Sharpe
Unaccompanied might just be the best format in which to appreciate British bassist Barry Guy's playing. This way there are no distractions, no other virtuosi vying for attention. That is often an issue. Although his discography contains occasional solo dates, they are far outnumbered by the entries for the trio with saxophonist Evan Parker and drummer ...
Ettore Fioravanti: Pierino e il lupo in jazz
by Neri Pollastri
"Variazioni sulla favola musicale di Sergej Prokoviev per quintetto jazz e voce in parola": questo il sottotitolo del disco che stiamo trattando, un divertissement messo a punto nel 2018 da Ettore Fioravanti per il Piccolo Festival della Parola di Noci. Di fatto si tratta del notissimo lavoro del compositore russo, pressoché immutato nel testo e solo ...
Sam Decker: Shrove
by Angelo Leonardi
Il titolo di questo disco è preso dal primo movimento del balletto Petrushka di Igor Stravinsky ed è indicativo della formazione del sassofonista Sam Decker. Laureato al New England Conservatory è stato molto attratto dal grande innovatore russo e da altri compositori del Novecento come Dmitrij Shostakovich e Bela Bartok. La musica di questo disco ne ...
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