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Chet Baker Trio: Live In Paris
by Chris May
Aside from a new album by a favourite musician, few things hold so much promise as the release of a previously unavailable recording—and if it comes up to expectations, rather than being a barrel-scraping exercise, one has lucked out. Live In Paris: The Radio France Recordings 1983 -1984 hits the sweet spot. Available as a 3 ...
New Standard Quintet: Another Time, Another Place
by Jack Bowers
Another Time, Another Place is a well-drawn album by Chicago's New Standard Quintet whose seven original compositions may please the ears but seldom inflame the senses. The music is good—and often better than that—without prompting a listener to reach for the replay button. Of course, that could be the listener's fault, as there is nothing here ...
Charged Particles: Live at the Baked Potato!
by Mark Sullivan
The late tenor saxophonist Michael Brecker was held in the highest regard by fellow saxophonists, while at the same time being seen as far too eclectic to be part of the jazz pantheon (due in no small part to his sideman work in rock and pop). This album focuses on Brecker as composer, spanning three decades ...
TriTone Asylum: The Hideaway Sessions
by Richard J Salvucci
Mellow is as mellow does, and Tritone Asylum (an interesting name for an updated “fusion" band) certainly opens that way, with a pleasantly relaxed feeling on “Grasshopper." But do not get too comfortable. Do you remember the first time you heard “Chameleon" with Harvey Mason wailing away? Your reaction may have been puzzled; many were, because ...
Alex Coke & Carl Michel: The Emissary
by Jerome Wilson
With instrumentation that includes harp, pedal steel guitar and vibraphone, this album is clearly not meant to resemble a classic jazz session. Instead, it ambitiously incorporates jazz, medieval composition and exotic folk melodies into a hypnotically beautiful set of diverse rhythms and motifs. The most austere selection is “O Pastor Animarum" by 12th century ...
Alma Naidu: Alma
by Phillip Woolever
Alma Naidu, a 26 year old songwriting vocalist based in Munich, has crafted a first rate debut showcasing an abundance of talent and a top-notch supporting team. German drummer Wolfgang Haffner produced this introductory gem and adds percussive precision in contributing a consistently subtle touch of the sticks. Well-aligned arrangements help keep the focus on Naidu, ...
Rob Clearfield and Quin Kirchner: Concentric Orbits
by Troy Dostert
Listeners familiar with the current Chicago jazz scene will need no introduction to pianist Rob Clearfield and drummer Quin Kirchner. Both have been intrinsic to others' projects over the years, such as Matt Ulery's Delicate Charms (Woolgathering, 2019) and Greg Ward's High Alert (Sugah Hoof, 2020), but their most prominent partnership to date is probably Kirchner's ...
Gary Brumburgh: Full Circle
by Jack Bowers
Gary Brumburgh is living proof that a talented singer can sustain a respectable career in music without becoming a “star." Even though he's not a household name—or anywhere near it—Brumburgh performed in musical productions from dinner theatres to summer stock, concert stages to casinos for more than two decades before changing direction in 2003 to focus ...
Pepper Adams and the Tommy Banks Trio: Live at Room at the Top
by Pierre Giroux
In a foreword by Jim Merod to Gary Carner's biography of Pepper Adams “Reflectory: The Life and Music of Pepper Adams," he describes Adams as follows: “Pepper was essentially alone in his magnificent command of his big horn's imposing challenges. He set a standard for its lyric power and boisterous allure." In ...
Doug MacDonald: Overtones
by Richard J Salvucci
Some of you may well remember Arthur Conley's 1967 chart-topper, “Sweet Soul Music." The lyrics began with the imperishable line, “Do you like good music?" That may resonate with listeners of a certain age, because Overtones: Doug MacDonald and the L.A. All Star Octet certainly qualifies as “good music." What is it about West Coast stuff ...
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