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Article: Album Review

Dave Slonaker Big Band: Convergency

Read "Convergency" reviewed by Troy Dostert

by Troy Dostert

Composer/conductor Dave Slonaker probably won't qualify as “prolific," at least based on recorded output alone, as he spends a lot of his time behind the scenes in film and television work—but one must appreciate the level of craftsmanship that he brings to his big band projects. His debut release, Intrada (Origin Records, 2014), received a well-earned ...

35

Article: Album Review

Billy Drummond and Freedom of Ideas: Valse Sinistre

Read "Valse Sinistre" reviewed by Jack Bowers

by Jack Bowers

As one of the world's foremost jazz drummers, Billy Drummond manages to keep busy--so much so that Valse Sinistre, recorded in November 2021, is his first album as leader in more than twenty-five years, following the critically acclaimed Dubai from 1996. This time around, Drummond is at the helm of his Freedom of Ideas quartet: Micah ...

37

Article: Album Review

Eyal Vilner Big Band: The Jam!

Read "The Jam!" reviewed by Jack Bowers

by Jack Bowers

Simply leading a big band in 2022 is cause for celebration. Leading a big band as sharp and talented as Eyal Vilner's New York- based ensemble is cause for far more than that. Vilner, an Israeli-born composer, arranger and woodwind specialist, formed the band in 2008, one year after arriving in New York City. He has ...

14

Article: Album Review

Natsuki Tamura and Gato Libre: Sleeping Cat

Read "Sleeping Cat" reviewed by Karl Ackermann

by Karl Ackermann

Following the example of his partner and spouse, Satoko Fujii, Natsuki Tamura has embarked on a year-long project of multiple, timed releases. Like his companion, Tamura has found that his trumpet is at home in numerous musical settings. One of his most popular ventures is the group Gato Libre which features Fujii on accordion rather than ...

39

Article: Album Review

The Jazz Professors: Blues and Cubes

Read "Blues and Cubes" reviewed by Jack Bowers

by Jack Bowers

Yes, the Florida-based Jazz Professors, as befits the name, are smart—but don't let that throw you. They also swing in the best jazz tradition, even though their fourth album, Blues and Cubes, was inspired by the art of Pablo Picasso. Unlike Picasso's works, however, there is scant abstraction here; the Professors embody far more bop than ...

7

Article: Album Review

Gordon Grdina/Mark Helias/Matthew Shipp: Pathways

Read "Pathways" reviewed by Dan McClenaghan

by Dan McClenaghan

Gordon Grdina, guitarist and oud player, has cranked things up into high gear in terms of CD release productivity. This is a good thing. When artists regularly release albums--two to four or five or six a year, which was common during Blue Note Records' heyday in the late 1950s and early 60s--their artistry evolves more quickly. ...

Article: Album Review

Blaise Siwula, Vattel Cherry and Jeff Arnal: Expositions of Freedom...Now!

Read "Expositions of Freedom...Now!" reviewed by Derek Taylor

by Derek Taylor

Under the unifying sobriquet of Expositions of Freedom...Now! the trio of Blaise Siwula, Vattel Cherry and Jeff Arnal is an aggregate that seizes the process of spontaneous composition as its central fuel source. Siwula and Cherry's association hearkens back half a decade to where the two met in a Cecil Taylor large ensemble. The saxophonist has ...

12

Article: Album Review

Charles Lloyd: Trios: Chapel

Read "Trios: Chapel" reviewed by Dan McClenaghan

by Dan McClenaghan

Blue Note Records has a history of boasting strong stables of players. In the 1950s and 60s, we could look to Art Blakey and the Jazz Messengers, trumpeter Lee Morgan, pianist Herbie Hancock, saxophonist Wayne Shorter--and if ever there was an incomplete list compiled, that one is it. Time rolls on. Twenty years (or thereabouts) into ...

10

Article: Album Review

Matt Choboter's Hypnopompia: Sleep Inertia

Read "Sleep Inertia" reviewed by Doug Collette

by Doug Collette

In keeping with its title, these eight tracks of just over fifty-minutes comprise a waking/sleeping dreamscape where conscious thoughts crystallize. then turn amorphous in an engrossing cyclical pattern. The fourteen or so minutes of the two-part “Converging Diverging" elucidate the most literal instrumental explication of the concept: replete with far too much ornate detail to fit ...

Article: Album Review

Lars Scherzberg: Top Floor Encounter

Read "Top Floor Encounter" reviewed by John Chacona

by John Chacona

The first phase of jazz was characterized by melodic improvisation. In its second phase improvisers dealt with harmony and, in the current phase, density is the improviser's concern. So says Anthony Braxton—if I understand him correctly (if anyone does). If so, then Top Floor Encounter may be as characteristic of our time as Armstrong's “Weatherbird" was ...


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