Home » Jazz Articles » Album Review » Spiral Trio: Broken Blue
Spiral Trio: Broken Blue
Acknowledged influences on the trio's approach include Paul Bley, Keith Jarrett, Paul Motian and Steve Lacy, so it is perhaps no surprise that the trio's modus operandi revolves around rhythmically agile, open dialogues where lyricism, abstraction and impressionism are all part of its improvising currency. And in Manesis vocabulary there are also shades of Bill Evans's romanticism, particularly on a brace of brushes-steered ballads, the pianist's "Rubicon"a bold album-opening gambitand a gossamer reading of Michel Legrand's "Once Upon A Summertime." For all its credentials as a modern jazz combo, Spiral Trio is not afraid to embrace beauty and delicacy.
When the trio gets into its stride the sparks fly. Bebop and the blues color the dynamic title track, while the playful angularity of "Bipolar," featuring a terrific Manesis solo, feels like a thinly disguised homage to Thelonious Monk. In the main, however, the music occupies post-bop terrain, and it is when casting loose of conventions that the trio sounds like it has most to say. "Ding Dong" juxtaposes bass and piano in unaccompanied solos of brooding intensity, while album highlight "Blue Flower" follows a surging modal course.
With clear thought to the emotional contours behind track sequencing, and in marked contrast to the romance of the opening ballad, the spare impressionism of "Portrait in Yellow" closes the album on an intimate, melancholy and somewhat restless note.
Broken Blue is a mature statement from a finely attuned trio whose continuing evolution holds the promise of even greater things to come.
Track Listing
Rubicon; Hig; Broken Blue; Once upon a Summertime; Bipolar; Ding Dong; Blue Flower; Portrait in Yellow.
Personnel
Album information
Title: Broken Blue | Year Released: 2022 | Record Label: Odradek Records
About Spiral Trio
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







