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Paul Bley
Born:
"Since the Montreal-born, long-US resident Bley's 50's debut with Mingus and Blakey, he's worked with more first-rate, wide ranging original musical minds than anyone but Miles..." —Howard Mandel, Downbeat, April 1995
Bley gave violin recitals at age five. By age seven he was studying piano. He went through numerous classical teachers—including one Frenchman that had him play, balancing filled water glasses on the tops of his hands. At age 11 he graduated from the McGill Conservatory—having taken on their musical curriculum in addition to his public school education. Bley, who was known as "Buzzy" in his early adolescence, formed a band and played clubs and summer hotel jobs in the Laurentian Mountains at age 13. Four years later he replaced Oscar Peterson at the Alberta Lounge. Bley founded the Montreal Jazz Workshop and brought Charlie Parker, Sonny Rollins, Brew Moore and Alan Eager to Montreal inorder to perform with them.
Floater & Syndrome The Upright Piano Sessions Revisited
By Paul Bley
Label: Ezz-thetics
Released: 2025
Track listing: When Will the Blues Leave; Floater; Stereophrenic; The Circle with the Hole in the Middle; Around Again; Syndrome; Cousins; King Korn; Vashkar; Ballad No. 1; Ballad No. 2; Ballad No. 4; Turns.
Open, to Love
By Paul Bley
Label: ECM Records
Released: 2025
Track listing: Closer; Ida Lupino; Started; Open, To Love; Harlem; Seven; Nothing Ever Was, Anyway
Jack Kenny's Best Jazz Albums Of 2025
by Jack Kenny
A year is an arbitrary time. The list is chronological by how they came to me. The albums that still stand out are Bone Bells (Pyroclastic Records) by Sylvie Courvoisier and Mary Halvorson and the sheer professional expertise of Jed Levy Faces and Places (Self Produced) Both albums, in their different ways, exude creativity and joy. ...
Masabumi Kikuchi: Hanamichi--The Final Studio Recording Vol. II
by Dan McClenaghan
Japanese pianist Masabumi Kikuchi (1939 -2015) enjoyed a decent profile via his albums under his own name--30-plus discs--and from his work with drummer Paul Motian and bassist Gary Peacock in his Tethered Moon group. But he deserved more. He was an original who worked in an inspired--if somewhat quirky--journeyman fashion until he bloomed in his late ...
Sergio Armaroli: The Musical Omnivore
by Mark Corroto
Sergio Armaroli is an Italian composer, percussionist, vibraphonist, teacher and visual artist whose music can be found on multiple labels including ezz-thetics, Leo Records, Dodicilune, Ictus Records and Da Vinci Classics. His 2025 releases include Deconstructing Ayler In The Universe (Dodicilune), And I Entered Into Sleep (Die Schachtel), and the ezz-thetics discs Introducing A Very Heavy ...
Kit Downes: The Art Of Sonic Curiosity
by Marco Iacoboni
Some use the piano to tell stories, and some use the pipe organ to create entire universes. Then there's Kit Downes, who does both, with a sensitivity and talent that have made him one of the most interesting and sought-after names on the European scene. Winner of the prestigious BBC Jazz Award, nominated for the Mercury ...
Kit Downes: dalla Cattedrale al Jazz contemporaneo
by Marco Iacoboni
C'è chi usa il pianoforte per raccontare storie e chi usa l'organo a canne per creare interi universi. Poi c'è Kit Downes che fa entrambe le cose, con una sensibilità e un talento che lo hanno reso uno dei nomi più interessanti e ricercati nel panorama europeo. Insignito del prestigioso BBC Jazz Award, nominato per il ...
Frank Carlberg: Dream Machine
by Vic Albani
Il signor Frank Carlberg, originario di Helsinki, da molti anni si è ritagliato un ruolo importante nella comunità jazzistica newyorkese. Dopo gli studi al Berklee College of Music e al New England Conservatory--dove ha avuto maestri del calibro di Paul Bley, Ran Blake, Geri Allen e Jimmy Giuffre--ha collaborato con figure come Steve Lacy e Kenny ...
Antonio Faraò: Kind of...
by Artur Moral
Antonio Faraò may seem a restless spirit, always on the move--a musical entity gifted with an innate, perpetual acceleration. But for certain decisions, he clearly takes his time: over eight years ago, in an interview aptly titled Antonio Faraò, l'eklektiko, the Rome-born pianist and composer--already in his fifties-- declared his interest in tackling a solo piano ...
