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6

Article: Album Review

Marc Ribot Trio: Live at the Village Vanguard

Read "Live at the Village Vanguard" reviewed by Troy Collins


Renowned Downtown guitarist Marc Ribot has performed with everyone from famed roots producer T Bone Burnett to avant-garde legend John Zorn. Ribot's own efforts as a bandleader have been equally eclectic, ranging from the freewheeling Latin jazz excursions of Los Cubanos Postizos to the Albert Ayler-inspired no wave assault of Shrek. In 2004 Ribot formed Spiritual ...

4

Article: Album Review

Peter Van Huffel/Michael Bates/Jeff Davis: Boom Crane

Read "Boom Crane" reviewed by Mark Corroto


Pity the neighbors of the jazz trio Boom Crane. It's not that their garage band approach to music making is off-putting or offensive, it's that the ferocity of their approach is just so demanding. Saxophonist Peter Van Huffel's New York trio of Michael Bates (bass) and Jeff Davis (drums) release this, their inaugural recording, as a ...

7

Article: Album Review

Daniel Rosenboom Quintet: Fire Keeper

Read "Fire Keeper" reviewed by Robert Bush


"Fusion" has rarely been so bold. Drawing on the traditions of the original Mahavisnu Orchestra, and Ornette Coleman's Prime Time, with liberal doses of Slavic folk-music and free-jazz, trumpeter Daniel Rosenboom's Quintet is an experiment of nuclear proportions. Featuring heavy electrical input from guitarist Alex Noice and “Bear-Trax" (hybrid-double-neck) bassist Kai Kurosawa, ...

11

Article: Extended Analysis

Marc Ribot Trio: Live At The Village Vanguard

Read "Marc Ribot Trio: Live At The Village Vanguard" reviewed by Dan Bilawsky


Playing and recording at New York's Village Vanguard is often seen as a sign of ascendancy in the jazz world. For some, the honor is bestowed early on; for others, it comes at a more mature stage; and for a third group, it comes even further down the road. Guitarist Marc Ribot is part of that ...

5

Article: Album Review

Marc Ribot Trio: Live At The Village Vanguard

Read "Live At The Village Vanguard" reviewed by Mark Corroto


It had been 16,631 days since bassist Henry Grimes had last played music at New York's infamous Village Vanguard. His performance, with saxophonist Albert Ayler, on December 18, 1966 was recorded and released as In Greenwich Village (Impulse!, 1967). Back after 45 years, 6 months, and 12 days, the bassist, now part of guitarist Marc Ribot's ...

7

Article: Multiple Reviews

Celebrating Blue Note Records 75th With Delicious Vinyl

Read "Celebrating Blue Note Records 75th With Delicious Vinyl" reviewed by Mark Corroto


Everything old is new again. Except of course for the timeless music of Blue Note Records which celebrated its 75th anniversary this year. The recordings Alfred Lion and Francis Wolff produced starting in 1939 have been collector's items since day one. While much of the label's music has been re-released in digital format, CDs and in ...

3

Article: Album Review

Matt Bauder And Day In Pictures: Nightshades

Read "Nightshades" reviewed by Mark Corroto


The lesson learned from listening to saxophonist Matt Bauder's second Day In Pictures release Nightshades is that you would never want to take a blindfold listening test with him. He'd steal your records. The quintet from his 2010 self-titled release on Clean Feed remains intact, with the exception that Angelica Sanchez was replaced by ...

5

Article: Album Review

1032K: That Which Is Planted

Read "That Which Is Planted" reviewed by Hrayr Attarian


The intrepid and original trio 1032K (the temperature at which the laws of physics no longer apply) is comprised of three versatile and singularly artful musicians who share a common creative vision. Their phenomenal That Which is Planted is a stimulating glimpse at this collaboration recorded live in Buffalo and Rochester, New York. The group radically ...

1

Article: Album Review

Mary LaRose: Reincarnation

Read "Reincarnation" reviewed by Alberto Bazzurro


Lavoro ben singolare, questo della cantante newyorkese Mary LaRose, che seleziona un carnet di brani decisamente emblematici di un modo di fare jazz (e relativo tessuto temporale), ci mette su dei testi, e li interpreta col prevalente supporto di un quartetto d'archi. Gli autori sono Charles Mingus e Ornette Coleman, col trait d'union ...

5

Article: Multiple Reviews

Jonas Kullhammar Old and New Ways

Read "Jonas Kullhammar Old and New Ways" reviewed by Eyal Hareuveni


Swedish great saxophonist Jonas Kullhammar always knew to position his musical activities in a rich historical, musical and artistic context, often with a sharp sense of humor. His tenor playing owes much to such great American post-bop sax players as John Coltrane (and his quartet covered recently Coltrane seminal A Love Supreme), but also to iconic ...


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