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Twenty One 4Tet: Live At Zaal 100
by Mark Corroto
I'm assuming that the Twenty One 4Tet recording Live At Zaal was conceived as a one-off deal, with Portuguese trumpeter Luís Vicente visiting Amsterdam-based players John Dikeman, Wilbert De Joode and Onno Govaert. This concert, from September 2015, finds Vicente combining his impressive craftsmanship with three like-minded players. Then again, it might be just ...
Jeff Lederer's Brooklyn Blowhards: Brooklyn Blowhards
by Mark Corroto
Imagine seeing a despondent Albert Ayler walking around Brooklyn on a cold November day in 1970, with his tenor saxophone under his arm. Some say he threw himself into the East River, a suicide by drowning. His loss, our loss, was one a true original voices in jazz. Now picture Ayler with a copy ...
Zhenya Strigalev: Never Group
by Roger Farbey
Tim Lefebvre was the last bassist to record with David Bowie. He's featured on Blackstar, arguably Bowie's best and certainly most poignant album. Drummer Eric Harland has recorded with Charles Lloyd's Quartet, Dave Holland, Joshua Redman and McCoy Tyner. These two musicians form the essential backbone of Russian-born, London-based alto saxophonist Zhenya Strigalev's trio who dominate ...
Henry Kaiser/Steve Parker/Damon Smith/Chris Cogburn: Nearly Extinct
by Mark Corroto
The title of this improvising free jazz quartet's release Nearly Extinct, is a reference to the current state of instant composing. The cover lists various players (Albert Ayler, Cecil Taylor, John Coltrane), Bands (ICP Orchestra, SME, AMM, AACM, ISKRA 1903), and refers to differing scenes from San Francisco to London and Wuppertal. That title ...
Gary Lucas' "Fleischerei": Music From Max Fleischer Cartoons
by Mark Corroto
The hip kids knew what to look for in those Saturday morning cartoons. It was the early Warner Brothers' animations and the black-and-white Popeye and Betty Boop cartoons. Insider jokes, stabs at the government and popular figures, and sexual innuendo were commonplace, even if we didn't quite get the meanings. Each were politically incorrect, before there ...
William Hooker: Light The Early Years 1975-1989
by Mark Corroto
The good news is that record executives are no longer the gatekeepers of taste and style in music today. Inexpensive recording equipment and the advent of digital music allow the artist, and the audience to cast a wide net these days. This wasn't the case forty years ago, especially for the improvised jazz scene. Studio time ...
Thad Jones-Mel Lewis Orchestra: All My Yesterdays
by Angelo Leonardi
La Resonance Records ha appena pubblicato (in un lussuoso cofanetto di due CD più un libro di 92 pagine), le primissime incisioni della Thad Jones-Mel Lewis Orchestra, riprese al Village Vanguard il 7 febbraio e il 21 marzo 1966. Sono trascorsi 50 anni dalla nascita della formazione e, agli inizi di febbraio, lo storico ...
Matt Parker Trio: Present Time
by Karl Ackermann
Following the well-deserved critical praise for his sextet debut, Worlds Put Together (BYNK Records, 2013), saxophonist/composer Matt Parker returns with a core trio and guests on Present Time. Former classmates from NYC's New School, bassist Alan Hampton and drummer Reggie Quinerly, join Parker on seven original compositions. One standard dating back to 1930 (and Louis Armstrong's ...
Konstrukt & Peter Brötzmann: The Message: Live At Kargart
by Mark Corroto
Breathe, just keep breathing, you tell yourself as the latest offering from the free jazz saviors spins on the turntable. Pressed in an edition of just 200 LPs, The Message: Live At Kargart is a treasure of sound. Actually it is more than just sound, it is an independent self-contained space craft carrying music from a ...
Francesco Chiapperini e il Questionario di Proust
by AAJ Staff
All About Jazz: Il tratto principale della mia musica. Francesco Chiapperini: Molte mie composizioni hanno un suono “scuro." Sono infatti spesso caratterizzate da una tensione sonora che provoca, nelle orecchie di chi le ascolta, una sensazione di sofferenza. Ed è proprio tale sensazione che associo alla musica che, quindi, assume per me ...
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