Home » Jazz Articles » Album Review » Gary Lucas' "Fleischerei": Music From Max Fleischer Cartoons

1

Gary Lucas' "Fleischerei": Music From Max Fleischer Cartoons

By

View read count
Gary Lucas' "Fleischerei": Music From Max Fleischer Cartoons
The hip kids knew what to look for in those Saturday morning cartoons. It was the early Warner Brothers' animations and the black-and-white Popeye and Betty Boop cartoons. Insider jokes, stabs at the government and popular figures, and sexual innuendo were commonplace, even if we didn't quite get the meanings. Each were politically incorrect, before there was such a thing as political correctness. You knew you were onto something, and in retrospect the music was the key that unlocked that door.

Enter guitarist Gary Lucas, founder of Gods And Monsters, former member of Captain Beefheart and collaborator with Jeff Buckley. His eternally hip ear has alway been attuned to the subversive lure of soundtracks, releasing Cinefantastique (Northern Spy, 2013) that included covers of Fellini, Hitchcock, and his own soundtrack work for film and television. He assembled his Fleischerei, german for "butcher shop," to present the music of Max Fleischer cartoons. Brooklyn-based Fleischer studios, like West Coast's Warner Brothers was the antithesis to the lily-white productions of Walt Disney. They were The Rolling Stones to Disney's Beatles. Fleischer's music drew from Jewish klezmer, Harlem's Cotton Club and Tim Pan Alley's show tunes, employing artists such as Louis Armstrong, Don Redman, and Cab Calloway.

Lucas' recreations draw together a cast of top notch performers including trombonist and arranger Joe Fielder from Lucas' Beefheat tribute band Fast 'N' Bulbous, saxophonist Jeff Lederer, Matt Wilson's alter ego and founder of the Albert Ayler-meets-sea shanty band Brooklyn Blowhards, bassist Michael Bates, whose album Northern Spy (Stereoscopic, 2015) made multiple 'best of' lists, and in demand Brooklyn drummer Rob Garcia. The lynchpin here though is vocalist Sarah Stiles, who reprises the role of Mae Questal, the voice of Betty Boop and Olive Oyl.

Stiles' little girl voice disguises the thinly (and sometimes not-so-thin) veiled sexuality of the music. From "Don't Take My Boop-Oop-A-Doop Away" to "Do Something" she resurrects the bawdiness of Vaudeville and Broadway revues. The music of the 1930s permeates here. Popeye's theme opens the ribald "I Want A Clean Shaven Man" as flapper music swings around Lucas' acoustic guitar. The irony of "Penthouse Serenade (When We're Alone)" a song made famous by Nat King Cole, served the depression era spirit. Stiles stretches between the pixie-like Boop to the fickle Olive Oyl. "Beware Of Barnacle Bill" recreates the entire cartoon short as she tries to choose between Popeye and Barnacle Bill. The highlight here is the ear-worm that is "The Broken Record" a recreation of a skipping vinyl piece and a hit song in 1935. Lucas performs it at breakneck speed, Stiles voice cutting and looping dizzily in real time. You may never see cartoons in the same light.

Track Listing

Sweet Betty; Don’t Take My Boop-Oop-A-Doop Away; That’s My Weakness New; I Want A Clean Shaven Man; Penthouse Serenade (When We’re Alone); The Broken Record; The Music Goes Round And Round; Ain’t Cha; Brotherly Love; Little Pal; Do Something; Beware Of Barnacle Bill.

Personnel

Gary Lucas
guitar

Gary Lucas: acoustic guitar, guitar arrangements, vocals; Sarah Stiles: vocals; Joe Fiedler: trombone, ensemble arrangements; Jeff Lederer: woodwinds, vocals; Michael Bates: acoustic bass; Rob Garcia : drums.

Album information

Title: Music From Max Fleischer Cartoons | Year Released: 2016 | Record Label: Cuneiform Records

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Tramonto
John Taylor
Ki
Natsuki Tamura / Satoko Fujii
Duality Pt: 02
Dom Franks' Strayhorn
The Sound of Raspberry
Tatsuya Yoshida / Martín Escalante

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.