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10

Article: Album Review

AALY TRIO: Sustain

Read "Sustain" reviewed by Mark Corroto


The previous recording by the AALY Trio, comprised of saxophonist (and flutist) Mats Gustafsson, double bassist Peter Janson and drummer Kjell Nordeson, was recorded 25 years prior (Double Or Nothing, Okka Disk, 2002). The reunion of this Swedish outfit is cause for celebration. If we rewind the clock a bit, Gustafsson and Janson began ...

21

Article: Album Review

Arild Andersen: Landloper

Read "Landloper" reviewed by Neil Duggan


The stark elegance of Arild Andersen's bass playing has been inspiring and entertaining audiences since the 1970s. He first gained prominence as a member of the Jan Garbarek Quartet, performing alongside Jon Christensen and Terje Rypdal, and was among ECM's first recording artists. Throughout his career he has performed and recorded with jazz luminaries including Sonny ...

17

Article: Interview

Alexander Hawkins: Music as a Generous Space

Read "Alexander Hawkins: Music as a Generous Space" reviewed by Giuseppe Segala


Born in Oxford in 1981, Alexander Hawkins is one of the leading musicians of his generation and a significant figure on the contemporary international scene. Personable and approachable, he is one of the few musicians of his age who engage meaningfully with the pioneering spirit of the African-American music tradition from the 1960s onward. His stylistic ...

1

Article: Album Review

Albert Ayler: Live Greenwich Village to Love Cry Revisited

Read "Live Greenwich Village to Love Cry Revisited" reviewed by Giuseppe Segala


Nel 1996, quando fu pubblicata la prima edizione della sua biografia dedicata ad Albert Ayler, Spirits Rejoice!, il contrabbassista e musicologo tedesco Peter Niklas Wilson scriveva nella prefazione: “La sua musica resta controversa: per alcuni fu un profeta, per altri un ciarlatano. (...) Ayler resta oggi tanto controverso quanto esile è la base per una discussione ...

24

Article: Album Review

McCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'

Read "Forces Of Nature: Live At Slugs'" reviewed by Joshua Weiner


How does one go about nominating Zev Feldman for a Nobel Peace Prize? Time and again, the intrepid “Jazz Detective" tracks down unknown, unheard, un-even-hoped-for sonic artifacts, painstakingly brushes away the audio dust and grime, and puts us front and center at events that rewrite the history of jazz. Forces of Nature: Live at Slugs' another ...

1

Article: Interview

Alexander Hawkins: La Musica è uno Spazio generoso

Read "Alexander Hawkins: La Musica è uno Spazio generoso" reviewed by Giuseppe Segala


Nato a Oxford nel 1981, Alexander Hawkins è musicista di punta della propria generazione e della scena contemporanea internazionale. Persona di grande disponibilità e affabilità, è tra i pochissimi musicisti che nella sua fascia di età si confrontano in modo congruo al temperamento dei pionieri che dagli anni Sessanta in poi si sono avvicendati sulla scena ...

1

Article: Album Review

Gato Barbieri: Standards Lost and Found 1

Read "Standards Lost and Found 1" reviewed by Alberto Bazzurro


Aperto e chiuso da brani a firma di due dei compagni di viaggio di Gato Barbieri in questo inedito (in studio, il che ha del sorprendente) della primavera 1968, rispettivamente Giovanni Tommaso e Franco D'Andrea, il disco in oggetto è innegabilmente pervaso dall'ombra lunga di Miles Davis (i due temi-cardine di Kind of Blue, più “Nardis" ...

18

Article: Live Review

JazzFest Berlin 2024

Read "JazzFest Berlin 2024" reviewed by John Sharpe


JazzFest Berlin 2024 Haus Der Berliner Festspiele Berlin, Germany October 31-November 3, 2024 Intro For its sixtieth edition, the renowned JazzFest Berlin not only presented a full program of 24 shows by over 120 performers from around the globe, but also ran a research lab looking back at the event's history, ...

29

Article: Album Review

Keith Jarrett: The Old Country: More from the Deer Head Inn

Read "The Old Country: More from the Deer Head Inn" reviewed by Jack Kenny


Keith Jarrett remarked as he listened to a tape of the session: “I think that you can hear on this tape, what jazz is all about." What did he mean? Was he reacting to criticisms of his long-form improvisations? Was it because he was in a small venue that prioritized jazz? Of course, you ...

14

Article: Album Review

Darius Jones: Legend of e'Boi (The Hypervigilant Eye)

Read "Legend of e'Boi (The Hypervigilant Eye)" reviewed by Jerome Wilson


As Darius Jones' new album shows, even the most harrowing music can serve as a form of healing, The alto saxophonist has released a trio album that draws from his attempts to deal with personal mental trauma via a daunting musical journey that begins in screams and ends with serenity. This album is the ...


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