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Day and Taxi, Adam Rudolph, Harish Raghavan and More
by Maurice Hogue
First out of the mixed bag of audio treats this week (it's Halloween after all!) is a track from Oliver Lake's first recording 43 years ago Ntu: The Point from Which Creation Begins. I haven't played Oliver in a while and that seemed like a good place to begin catching up. Adam Rudolph's epic project, Ragmala, ...
Go: Organic Orchestra & Brooklyn Raga Massive: Ragmala: A Garland Of Ragas
by Mark Sullivan
Percussionist Adam Rudolph performed and recorded extensively with World Music originator Yusef Lateef from 1988-2013, and has performed with trumpeters Don Cherry, Jon Hassell, and Wadada Leo Smith, among others. He became a composer after being inspired by Cherry (also one of World Music's originators) while staying at his home. In the Go: Organic Orchestra he ...
Go: Organic Orchestra and Brooklyn Raga Massive at Painted Bride Art Center
by Geno Thackara
Go: Organic Orchestra and Brooklyn Raga MassivePainted Bride Art CenterPhiladelphia, PAOctober 6, 2019 While Philadelphia's Painted Bride Art Center has been presenting jazz, improvised and/or experimental music for half a century, it's still entirely possible this was the most sweepingly wide, boundary-defying cross-cultural performance the venue has ever seen. The sizable ...
Go: Organic Orchestra & Brooklyn Raga Massive: Ragmala: A Garland Of Ragas
by Dan McClenaghan
World music pioneer and percussionist Adam Rudolph is the instigator and ringleader of Ragmala: A Garland of Ragas. Bringing together his Go: Organic Orchestra and the Brooklyn Raga Massive—forty world class musicians—he has created a “future orchestra," a blending of sounds of the Middle East, Africa, India and beyond. Inclusive is the key word.
Sonic Explorations and Creative Improvisations at The Guelph Jazz Festival
by Dave Kaufman
In North America, there are over 100 annual jazz festivals. Only a small number of these festivals are devoted to the avant-garde, adventurous, and freely improvised music. The Vision Festival in New York City is perhaps the best known festival with its celebration of improvised music, dance, and poetry. There are a few others that are ...
Mick Rossi, Le Rex, & Emile Parisien
by Maurice Hogue
Creativity must be recognized, particularly the kind endures. The AACM (Association for the Advancement of Creative Musicians) continues this day, just as it did over 50 years ago, inspiring, pushing forward, and setting the standard for creative music. Only the players change. The premier performing group of the AACM today is the AACM Great Black Music ...
NY Free Quartet, Michael Gregory Jackson & Marc Jufer
by Maurice Hogue
There's a wide variety of great tunes this episode: Club D'Elf kicks it off with the title track to their latest live set, saxophonist Muriel Grossmann and her quartet acknowledge the musical and mystical paths of John Coltrane, the New York Free Quartet's Dream Time marks their return to releasing excellent work, and the very influential ...
Bill Frisell, Tom Harrell, Wadada Leo Smith and Other Great New Releases
by Bob Osborne
A show packed with new music featuring new releases from Chuck Deardorf, Bill Frisell & Thomas Morgan, Matt Brewer, Josh Lawrence, Tom Harrell, and Wadada Leo Smith. Playlist Chuck Deardorf “Lullaby" from Perception (Origin Records) 00:00 Bill Frisell & Thomas Morgan “You Only Live Twice" from Epistrophy (ECM) 07:23 Josh Lawrence “We're Happiest ...
Wadada Leo Smith / Sabu Toyozumi: Burning Meditation
by John Sharpe
The Japanese concept of ma—a celebration of the space between things—is one to which trumpeter Wadada Leo Smith can readily subscribe. Space and silence are as important as sound in his conception. The weight given to the pauses between phrases stands out on this live recording from 1994 with Japanese drummer Sabu Toyozumi, which forms another ...
Joseph Benzola, Liebman/Rudolph/Drake, Tom Kessler and More
by Maurice Hogue
Canadian saxophonist and flautist Anna Webber has seen her star rising since settling in New York. She's become a highly regarded member of the creative improvisation scene there, and each recording of her own compositions becomes more impressive. With her septet she tackles a number of homages to some of her favourite 20th century composers' percussion ...
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