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41

Article: Interview

Claude Cozens: Reimagining Rhythm

Read "Claude Cozens: Reimagining Rhythm" reviewed by Seton Hawkins


The Cape Jazz sound of South Africa is known to international audiences primarily thanks to the music of pianist Abdullah Ibrahim. However, the music and traditions of Cape Town and the Western Cape run much deeper, reflecting an extraordinary, sometimes contradictory, and exceedingly complex set of cultures and traditions reflected in the area. Within this environment ...

6

Article: Live Review

Enrico Rava Special Edition at Teatro Nuovo

Read "Enrico Rava Special Edition at Teatro Nuovo" reviewed by Francesco Martinelli


Enrico Rava Special Edition Pisa Jazz Teatro Nuovo Pisa, Italy Sept. 25 2019 Enrico Rava, the musician who almost single-handedly gave Italian jazz an international profile in the '70s with his recordings, turns 80 this year and celebrates the milestone in the way he knows best: in music. He's ...

13

Article: Live Review

Italian Showcase Festival and Fringe Program, Novara

Read "Italian Showcase Festival and Fringe Program, Novara" reviewed by Ludovico Granvassu


Part 1 | Part 2 | Part 3 European Jazz Conference 2019: Italian Showcase Festival and Fringe Program Various venues Novara, Italy September 11-15, 2019 At a time when the ideals of unity and transnational solidarity that represented the founding values of modern-day Europe seem to be faltering under ...

10

Article: Album Review

Abdullah Ibrahim: Dream Time

Read "Dream Time" reviewed by Chris May


Stream-of-consciousness solo-piano recitals come in as many shades as jazz itself. At one extreme are Keith Jarrett's messianic epics. At another are Abdullah Ibrahim's less flashy but deeper outings. Ibrahim's style is about substance, space and subtlety. He says more by doing less. Duke Ellington and Thelonious Monk, after all, were his formative influences.

15

Article: Interview

Abdullah Ibrahim: The Sound of the Universe

Read "Abdullah Ibrahim: The Sound of the Universe" reviewed by Mackenzie Horne


Abdullah Ibrahim's cosmology informs his art. While some might look upon him as an overseer at the crossroads between new and old, the tempered pianist stands as a sage, painting swirling rhythms that resemble the spheres of the universe with his compositions. He continues to combine ancient wisdom with the tones of the future; formation and ...

9

Article: Live Review

A to JazZ Talks 2019: The Road To International Stage

Read "A to JazZ Talks 2019: The Road To International Stage" reviewed by Ian Patterson


A to JazZ Talks: The Road To International Stage Literature Club Peroto National Palace of Culture Sofia, Bulgaria July 5, 2019 For the majority of young musicians, the very notion of pursuing a career in music can be daunting, to say the least. Admittedly, it is perhaps easier than ever ...

2

Article: Live Review

North Sea Jazz Festival 2019

Read "North Sea Jazz Festival 2019" reviewed by Ljubinko Zivkovic


North Sea Jazz Festival Rotterdam, The Netherlands July 12-14, 2019 For a while now, jazz festivals have lost their exclusivity and being a musical source for just jazz fans or those who wanted to get involved in the scene. More commercial artists from other musical genres have actually become a ...

News: Recording

Abdullah Ibrahim: The Balance

Abdullah Ibrahim: The Balance

Unlike other forms of popular music, jazz is a product of where artists are from. Each musician's sound is flavored by their environment and surrounding culture. Louis Armstrong had a joyful New Orleans sound, Dizzy Gillespie had the arch flavor of New York, Chet Baker had a relaxed West Coast feel and Howard McGhee had a ...

Results for pages tagged "abdullah ibrahim"...

Musician

Abdullah Ibrahim

Born:

Abdullah Ibrahim’s new solo program transcends category, combining the intimate and the universal in a unique way that is hinted at in its title. SENZO means “Ancestor” in both Chinese and Japanese. SENZO also echoes the name of Abdullah Ibrahim’s Sotho father, in whose language the word translates as “Creator”.

Abdullah Ibrahim, South Africa’s most distinguished pianist and a world-respected master musician, was born in 1934 in Cape Town and baptized Adolph Johannes Brand. His early musical memories were of traditional African Khoi-san songs and the Christian hymns, gospel tunes and spirituals that he heard from his grandmother, who was pianist for the local African Methodist Episcopalian church, and his mother, who led the choir. The Cape Town of his childhood was a melting-pot of cultural influences, and the young Dollar Brand, as he became known, was exposed to American jazz, township jive, CapeMalay music, as well as to classical music. Out of this blend of the secular and the religious, the traditional and the modern, developed the distinctive style, harmonies and musical vocabulary that are inimitably his own.

14

Article: Album Review

Abdullah Ibrahim: The Balance

Read "The Balance" reviewed by Chris May


Abdullah Ibrahim's discography goes back sixty years, and although there are longer periods between his releases than there used to be, Ibrahim has retained all his grit and jubilance. The pianist and composer continues to make gloriously uplifting music steeped in its South African roots, in a style which still carries echoes of his formative overseas ...


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