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2013 Tri-C JazzFest: Cleveland, OH, April 19 - 27, 2013
by Matt Marshall
34th Annual Tri-C JazzFest ClevelandCleveland, OHApril 19-April 27, 2013There was a determined effort by Tri-C JazzFest Managing Director Terri Pontremoli to give this year's event more of a festival atmosphere than it has perhaps enjoyed in years past. For starters, many of the outlying venues, such as the East Cleveland library, a regular ...
Alone Together: Charnett Moffett and Marc Cary on Motéma
by Dan Bilawsky
Motéma Music has a tremendous amount of material coming through the pipeline as the imprint celebrates its tenth anniversary in 2013. Drummer Jaimeo Brown's forward-thinking debut, vibraphonist Joe Locke's take on the mellow and bluesy, vocalist Rondi Charleston's most mature outing to date, and a trio release from pianist Eldar Djangirov are all hitting shelves around ...
Teri Roiger: Dear Abbey: the Music of Abbey Lincoln
by Hrayr Attarian
With Dear Abbey, singer Teri Roiger does something remarkable. She interprets thirteen of vocalist Abbey Lincoln's compositions, maintaining the legendary singer's emotive articulation and dramatic delivery, yet marking each song with her own individuality. She thus pays the ultimate homage to an innovator who blazed her own unique artistic path. Roiger's warm contralto, ...
Sara Serpa: A Musical Journey
by Hrayr Attarian
Vocalist and composer Sara Serpa is one of the most original and innovative musicians to emerge since the turn of the century. She has already made an indelible mark on the modern music scene in the span of a mere four years. Her unique style of vocalese allows her to utilize the full range of her ...
NEA Announces Live Webcast of 2013 NEA Jazz Masters Awards Ceremony & Concert
As a music form born and bred in the United States, jazz has committed fans throughout the world. On January 14, 2013 at 7:30 p.m., EST, the National Endowment for the Arts, in partnership with Jazz at Lincoln Center, will hold its annual NEA Jazz Masters Awards Ceremony & Concert at Dizzy's Club Coca-Cola, located at ...
Sara Serpa / Ran Blake: Aurora
by Eyal Hareuveni
Portuguese vocalist Sara Serp's follow-up to Camera Obscura (Inner Circle, 2010), with renowned pianist Ran Blake, retains the fresh and irreverent approach of their debut. A former student of Blake's the two never sound obvious or predictable, even when they are interpreting popular jazz standards. Their versions offer deeper and often innocent insights to some of ...
Connie Evingson & The Hot Club of Sweden: Stockholm Sweetnin’
by C. Michael Bailey
After the release of the top-drawer Sweet Happy Life (Minnehhaha Music, 2012), it was worth pursuing the All About Jazz review archives to see if there were any recent Connie Evingson releases we neglected to consider. Imagine our luck that a significant recording has been overlooked, one that appeals directly to Evingson's Scandinavian heritage: 2006's Stockholm ...
Michael Carvin: The Making of a Master
by Bob Kenselaar
With a career that spans half a century, master drummer Michael Carvin has plenty to look back on, although he's mostly a forward-looking man. To say he's been prolific puts it mildly. By his own count, he's made some 250 recordings and toured the world five times. He has worked with such major jazz luminaries as ...
Booking Jazz: A Subjective Guide
by Bruce Klauber
There is no rule book, reference work or formal set of regulations that club and restaurant owners can consult about how to book and present jazz.There was a quasi-model of sorts in the 1930s, 1940s and 1950s, given the proliferation of cafés, boites, bistros, bars, ballrooms, and all types of nightspots that used live ...
Ran Blake and Christine Correa: Down Here Below
by Hrayr Attarian
Starting with the inimitable Jeanne Lee, pianist Ran Blake has been collaborating with adventurous vocalists for half a century. These are singers who are not satisfied by merely parroting the old repertoire in the same tried and true, but also musty and tired way. These are musicians whose vocal cords command close listening, as is the ...



