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Abbey Lincoln
Born:
"How can you have a career and never say anything? To experience it all and not say a word, you're supposed to stand up and speak your mind in the music. Some people like to hear some reality. I'm not trying to save or fix the world. I'm just singing about my experiences. My songs are observations." For four decades Lincoln's life has been a constant transformation of experience, of awakenings into growth, of the communication of what she has witnessed. She has grown through many stages: a naive young lounge singer; a movie and jazz club sex kitten; a vocal African-American with a deepened cultural awareness; a sensitive actress contradicting cultural perceptions; an artistic and cultural exile; a poetic jazz sage
Silenced in Their Prime - Eric Dolphy & Booker Little (1961 - 1964)
by Russell Perry
From his first recordings with Chico Hamilton in 1958 until his untimely death from misdiagnosed diabetic shock in 1964, Eric Dolphy was limited to only six years in which to record the music that has defined his extraordinary legacy. Previously, in this series, we have heard from Dolphy's great 1960 recording, Far Cry and his contributions ...
Big Long Silidin' Thing - Celebrating Melba Liston
by Mary Foster Conklin
In the first hour, we celebrate trombonist, composer and arranger Melba Liston in honor of her birthday, and take a look at some recent trombone players making noise in the jazz world. We sample some new releases by vocalists Josephine Beavers, Lila Ammons, Virginia Schenck, flutist Andrea Brachfeld and pianist Roberta Piket, with birthday shout outs ...
The Very Singular Mr. Ran Blake
by Duncan Heining
There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...
2020 Winter JazzFest Marathons: A Survival Guide
by Ludovico Granvassu
Believe it or not, it is that time of the year again! The holidaze are barely over and a new edition of Winter JazzFest is upon us. Knowing a jazz marathon is the perfect antidote to the holiday shopping and social marathons, producer Brice Rosenbloom and his cohorts have put together a program of gargantuan proportions. ...
Mal Waldron: Free At Last
by Karl Ackermann
The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...
Eva Schubert: Hot Damn Romance
by Paul Naser
Those looking for a chanteuse in the jazz tradition often have limited options outside of legends such as Ella Fitzgerald, Billie Holiday and Sarah Vaughan or more contemporary stars like Diana Krall or Jazzmeia Horn; if they are looking for original music, more often than not they're out of luck. So, fans of the style may ...
These Leos Are Jazz Lions
by Mary Foster Conklin
Some heavyweight birthdays in this mid-August broadcast, which included new releases from saxophonist Ben Flocks, songwriter Mark Winkler and guitarist Paul Silbergleit with celebratory shout outs to songwriter Bernice Petkere, Benny Carter and organist Trudy Pitts in the first hour, Roberta Piket, Jeri Southern, Howard Johnson and Regina Carter in the second hour, Abbey Lincoln in ...
Trish Clowes: Sounding Colors, Playing With Gravity
by Ian Patterson
If it hadn't been that day, twenty some years ago when the young Trish Clowes first felt the pull of the tenor saxophone, it would surely have been another. Barely in her teens at the time, Shropshire-born saxophonist and award-winning composer Clowes already played piano, clarinet and sang when she went to see her ...
Jazz Singers in the 1950s – Sarah Vaughan, Helen Merrill, Dinah Washington and Abbey Lincoln (1954 - 1962)
by Russell Perry
Many jazz singers of the 1950s continued the tradition of recording with major instrumentalists who were given the space to improvise, feeding off the collaboration. In 1954, EmArCy records matched three of their singers, representing the wide range of their offerings--Sarah Vaughan, Dinah Washington and Helen Merrill--with jazz ensembles featuring their rising star, trumpeter Clifford Brown. ...
