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Daniel Carter, Adriana Camacho, Federico Ughi: Trabajadores De Energi
by Mike Jurkovic
An open conversationalist, active participant, and scion of creativity, forward thinking saxophonist Daniel Carter aims higher than his usual lofty visions on Trabajadores De Energi, easily the umpteenth release of '23 that bears his anachronistic brand. This free set, recorded in Rome after Carter, cosmic bassist Adriana Camacho, and longtime Carter partner in anarchy, ...
John Dikeman / Pat Thomas / John Edwards / Steve Noble: Volume2
by Mike Jurkovic
If ever oh ever there was a more ornery conversation between four highly-charged, time-defiant individuals, Volume2 sets the mark. Arguing, as great men do, about all things seen and unseen, secular and sublime, consummate free jazzers saxophonist John Dikeman, pianist Pat Thomas, bassist John Edwards and drummer Steve Noble circle the wagons once again at London's Cafe ...
Pat Thomas Chris Sharkey Luke Reddin-Williams: Know: Delirium Atom Paths
by Mike Jurkovic
Delirium Atom Paths sounds exactly as one might hope, expect, or suspect the willing abandon of UK master innovator, keyboardist Pat Thomas, guitarist Chris Sharkey, and drummer Luke Reddin-Williams to sound like: a fearless dialogue of ideas without dogma, ambitions without greed, creation without regret. Captured live at Leeds at the big bang moment ...
Phil Minton / Pat Thomas / Dave Tucker / Roger Turner: Scatter: On A Clear Day Like This
by John Sharpe
Recorded on the first night of a Pat Thomas residency at north London's Cafe Oto, On A Clear Day Like This by the collective Scatter demonstrates the breadth of the pianist's artistry, following as it did an opening set of Duke Ellington tunes. Aside from Thomas, who founded the group in 1992 and performs on piano ...
The Flame: Towards The Flame Vol 1
by Mike Jurkovic
Three of Europe's most acclimated and proven improvisers--pianist Robert Mitchell (Steve Coleman, Greg Osby), bassist Neil Charles, and drummer/percussionist Mark Sanders (Jah Wobble, Rachel Musson)--band together as The Flame for the first time and emerge from pandemic isolation, and the forever wars and broken civics that accompanied it, with a hypnotic performance captured absolutely live on ...
Svaboda / O'Connor / Green: Time Together / Time Apart
by Mike Jurkovic
It is hard not be taken aback by the sonorous study undertaken by the peerless trio of double bassist Helen Svoboda, pianist Joe O'Connor and drummer Tim Green on their organically collective and communicative Time Together, Time Apart. Like watching the ocean, “A Beginning" scans the immediate calm surface, expanding your vision out towards ...
Paul Dunmall / Paul Rogers / Tony Orrell: That's My Life
by John Sharpe
Contrary to the title, That's My Life is not a career retrospective for iconoclastic British reedman Paul Dunmall. In fact it hails from the archives, a live date from Bristol recorded way back in 1989. On being asked about this set in a radio program in 2023 honoring his upcoming 70th birthday, Dunmall commented that it ...
Alex Ward Item 4: Furthered
by John Sharpe
Is there anyone else who doubles on clarinet and electric guitar? Multi-instrumentalist Eliot Sharp perhaps, but it is an otherwise fairly exclusive arena, one which Alex Ward has occupied since 1989 when he was already performing with Derek Bailey's Company at age 15. While the guitar remains his axe of choice for the rockier end of ...
Francisco Mela: Music Frees Our Souls Vol. 2
by John Sharpe
The three protagonists gaze out from the cover, variously smiling, appearing wryly amused, and looking stern. The image suggests a will to tackle things head on, without artifice or adornment. To tell it like it is. And that is the result: a thrilling no-nonsense representation of the combined artistry of drummer Francisco Mela, pianist Cooper-Moore and ...
John Sharpe's Best Jazz Albums Of 2022
by John Sharpe
From the 200 or so discs that I heard in 2022, here are eleven new issues (in roughly the order I came across them), which gave me the most pleasure. As ever I find it particularly invidious to pick and choose between honest artistic endeavours. So perhaps it's better to view these selections as a chance ...
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